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Andi (Emma Roberts) is sixteen, and very close to her ten-year-old brother Bruce (Jake T Austin). They were orphaned three years earlier - we don’t learn why - and are living in foster care. It’s clearly not working well for them; their foster parents, Lois and Karl, provide a lot of the comedy in the film as they are so dreadful, and clearly unsuited to the role. She makes extremely unappetising food, and the two of them spend most of their time trying to record bad quality music.
Andi and Bruce have a dog called Friday, whom they adore. But no dogs are allowed in their foster home, so they have to sneak him in at night-time. And since they have no money, they try to ‘earn’ enough to feed Friday, through very dubious scams. Their social worker Bernie (Don Cheadle) is excellent; he clearly cares about them, and regularly gets them out of trouble. Although he knows their foster parents are neglectful, there are very few foster families willing to take on siblings of their age. And they are desperate to stay together.
In their neighbourhood there is a van that goes around collecting stray dogs, and unfortunately they come across Friday and impound him. And while they manage to release him, they’re shocked to see that there are many other delightful dogs, and that they’re only allowed to be there, uncollected, for 72 hours…
It’s quite poignant at first, contrasting the young people’s love of dogs, and concern for strays with the rigidity of the dog police. Andi and Bruce discover an abandoned hotel where some of the dogs have made themselves at home. And they decide to take it over, with the help from some friends they gradually acquire. Bruce is a technological genius, and makes some impressive devices from items left behind in the old hotel, and also things he has taken from his foster home…
There’s a lot of humour in this film, which we thought was beautifully made. The dogs are wonderful, more and more of them appearing and being adopted by Annie and Bruce. There are scenes showing the dog police wondering where all the stray dogs have gone. And we loved the way Bruce gradually manages to automate not just the dogs’ feeding time, but their exercise, toilet needs, and other preferences. It’s quite surreal, of course, but while we were watching, we felt quite drawn into the film, rooting for the teenagers and the dogs.
Naturally enough, things can’t continue this way forever, and there’s some tension and an exciting race towards the end. Bernie makes a heartfelt speech which makes for a happy ending - this is, after all, a children’s film - and an even more surreal conclusion, which we thought very amusing.
The acting is excellent, and the dogs are amazing. We watched some of the ‘extras’ on the DVD, which included a section about the dog training, which was impressive. And there was a heartfelt comment from the actor who plays Bruce, saying that there were times when he did everything correctly, but the dog with him didn’t. So they had to do seventeen takes.
It was clear both from the film and from the ‘making of’ extra that the cast loved dogs - and the crew, too. Some of the dogs used were themselves strays, who were then adopted by cast or crew members. I am not, in general, a dog person. But I thought that, as well as being a well-made and amusing film, it gave a very important message about the responsibility that comes with having a dog.
Overall, I would recommend it to adults as well as teens and children who want something light-hearted, so long as you don’t mind a bizarre storyline that’s a bit like a 21st century fairy-tale. Apparently this was loosely based on a book of the same name. The teenage actors - or those portraying teenagers - are excellent, carrying the film entirely. Other than Bernie, most of the adult characters are either caricatures, or in some way against the teens' efforts.
The rating is U, which reflects the lack of anything ‘adult’. There are one or two very minor uses of bad language, and the film might, perhaps, be disturbing to a child who had problems in foster care, or who had lost a dog. I think I would probably rate it PG, suggesting that parents should take responsibility for deciding whether or not their children would be likely to find it upsetting, or funny.