Shakespeare in Love (Joseph Fiennes, Gwyneth Paltrow)

(Amazon UK link)

It’s nearly twelve years since we watched the 1998 film ‘Shakespeare in Love’, so it was definitely time for a re-watch. We only had the vaguest recollection of the story, and I had entirely forgotten that there were so many well-known actors in this film. Joseph Fiennes is excellent and quite believable as the young Will Shakespeare, even if rather different from how I had imagined the playwright.

The film is set in the late 1590s, in a realistic-looking London, full of commerce, noise and general hubbub. We learn that there are two theatres, one doing fairly well, the other one in dire straits. The owner of the second theatre is being tortured by his creditors as he is unable to pay them the vast sum of twelve pounds… however he promises them a new play by the upcoming young genius Shakespeare, and they agree to give him more time.

Shakespeare, meanwhile, is supposedly working on his play ‘Romeo and Ethel the Pirate’s Daughter’, but is in despair as the words won’t come. He believes he needs a new muse, and it’s clear that he’s a serial womaniser, despite being married to Anne Hathaway, who is still in Stratford. We weren’t at all sure how much of this film was historically realistic and how much was fictional; the ‘extra’ that we watched afterwards explained that we know very little about Shakespeare himself, but that historical details (such as the information about theatres, and some of the minor characters) are accurate. The blend works brilliantly.

It’s quite a raunchy story, as Will meets and falls for the beautiful Lady Viola de Lesseps (Gwynneth Paltrow). She lives in a class and culture that expects arranged marriages, and her parents have decided that she should marry Lord Wessex (Colin Firth) despite him being rather overbearing and arrogant. 

Viola is quite a rebel, and sometimes dresses up as a boy, giving herself the name of Thomas Kent, so she can get out of the house without a chaperone. She has an old nurse who loves her (Imelda Staunton) and helps her in this disguise. Viola loves the theatre and particularly the plays she has seen by Shakespeare…so she decides to audition for a part in the new play.  Will, fired up by having met Viola, writes the first act of what will eventually be Romeo and Juliet, and engages ‘Thomas Kent’ as Romeo. 

There’s some humour in this film, which we both appreciated; it’s not laugh-aloud funny, but there are some ironies and a few good one-liners. There’s also the situational humour in that nobody - including Will at first - realises that ‘Thomas’ is in fact a woman despite the fact that it seems very obvious. However the idea of a woman on the stage is so shocking that perhaps it wouldn't have occurred to anyone.  

I thought the blend of reality and fiction was extremely well done. The writing of Romeo and Juliet, which goes through several adjustments, is entirely believable. Possibly my favourite character was Queen Elizabeth I, brilliantly portrayed by Dame Judi Dench. Apparently the real Queen Bess was a huge fan of theatre, despite some of the London leaders wanting them closed down. This comes through in the movie, and there’s a wonderful blend of arrogance and humour in the way the Queen is portrayed.

The film is rated 15, which I think is correct. There’s not much bad language; expletives are mostly very mild. There’s also not much real violence; the most disturbing scene was the first one, and that was quite brief. There’s plenty of stage violence, but that has some humour and is not too gory. But the whole film is about an adulterous affair, and there are several obviously sexual scenes. There are flashes of partial nudity and some scenes where little is left to the imagination, although I suppose a couple of them were meant to be humorous.

‘Shakespeare in Love’ won several awards, unsurprisingly; overall it’s an excellent film, and I would recommend it to anyone - adults or older teens - wanting to get an idea of what the young William Shakespeare and his daily life might have been like.  

Review copyright 2024 Sue's DVD Reviews

One Fine Day (Michelle Pfeiffer, George Clooney)

(Amazon UK link)

We decided to take a break from watching mid-20th century classics last night. Instead we watched ‘One Fine Day’, a light rom-com which was released in 1996. It’s a bit shocking to realise that this is nearly thirty years ago! We watched it in 2014 and had almost no memory of the story.

Michelle Pfeiffer stars as the efficient architect called Melanie. She has a young son, Sammy (Alex D Linz) who is probably meant to be about five; he behaves as if rather younger, although the actor, I gather, was about seven. He’s a likeable child who is constantly active and curious, getting into trouble one way or another regularly. 

We learn from an early conversation that Sammy adores his father, who doesn’t live with them any more; he desperately hopes that his father will make it to a soccer game he’ll be playing in later that day. And Sammy is also looking forward to his school field trip on a boat. Melanie is ready to leave; all she has to do is collect Maggie (Mae Whitman) one of Sammy’s classmates, whom she takes to school. 

The action then switches to a small apartment where Maggie’s father Jack (George Clooney) lives on his own. It’s clear that he’s rather disorganised and can be child-like and silly at times. A knock on the door heralds his ex-wife and her new husband with Maggie, whom they’re leaving with him for the next week. He doesn’t seem to be aware that this is going to happen, nor does he have any clue about her schedule. 

He listens with half a mind to his ex-wife’s instructions and takes a sheaf of papers… then spends some time eating junk food and playing with Maggie, unaware until she mentions it that she should be in school going on a boat trip. And he hasn’t remembered to let Melanie know that he will be taking Maggie to school himself. 

Inevitably both children are too late for the boat trip; equally inevitably the parents get thrown together although Melanie is very antagonistic towards Jack. It is, after all, his fault that the children have missed their trip. And she has no idea what to do with Sammy during some important work meetings…

The scene is set for an amusing day, which we see alternately from Melanie and Jack’s viewpoints. Sammy has a tendency to put objects up his nose, while Maggie is passionate about cats, and will forget everything else if she sees one and decides to follow it. The child actors do at least as well as their adult co-stars, and I was particularly taken with Sammy. Having the children as such a big part of the film brings it out of the ordinary, and we both enjoyed it very much.

There’s plenty of mild humour; we didn’t laugh aloud, but I smiled several times. There’s some choreographed slapstick type humour which slightly made me wince, but it was well enough done that it was amusing too. The pace is excellent, the conversation believable, and if the outcome is somewhat inevitable, that wasn’t a problem. 

The film is refreshingly free of ‘strong’ language, with only the mildest of profanities. It’s also free of anything violent or overtly sexual. There are quite a few risque references here and there, but nothing major. The rating of PG seems about right; parents have different opinions about what children can be exposed to and children vary in their understanding. I doubt if this would be of any interest to a young child anyway, despite the young actors. 

Definitely recommended if you want a light evening’s viewing that actually is a romantic comedy, even if the humour is mostly fairly understated. 

Review copyright 2024 Sue's DVD Reviews

Grand Hotel (John Barrymore)

(Amazon UK link)

Yesterday evening we decided to watch another of the classic films we were given recently by a friend. We knew nothing about ‘Grand Hotel’, although I gather it was very highly regarded in 1933 when it was released. And as an early example of a full-length movie (it’s nearly two hours) it’s quite impressive in its cast and some of the filming. It's in black-and-white, rather than colour, but that doesn't worry us. 

Even we had heard of both John and Lionel Barrymore, who play important characters in this film, and of course we knew of Greta Garbo by repute, although I don’t think either of us had seen her in action before. Joan Crawford, Wallace Beery and Lewis Stone are the other main characters, although we had not heard of any of them before, as far as we know. 

There are a lot of extras too, and other people who appear in minor roles, and the opening of the film is quite confusing. The entire film is set in a large, luxurious and very expensive hotel in Germany. We first see a row of girls from the back, operating what I assume is a telephone switchboard. 

Then we see several characters on the phone: a man awaiting news of his new baby, a businessman hoping for information about an upcoming deal, someone else concerned that a temperamental dancer is not happy. None of these seem to be connected - people come and go, and it took me at least twenty minutes to realise which stories were ongoing, and which were minor. 

‘Grand Hotel’ does not have a coherent storyline; it consists of several ongoing interactions between different people. The pace is good - it’s nearly two hours long, but it didn’t drag. On the other hand, it didn’t grip me at all. The only likeable character is that played by John Barrymore, known as ‘Baron’. He’s desperate for money and we quickly learn that he’s being employed to steal an expensive necklace from the temperamental dancer (Greta Garbo). 

Joan Crawford’s character is, I learned when researching afterwards, called Flaemmchen, known as Flaemm . Unfortunately it sounded like ‘phlegm’ when she or anyone else said it. She’s a ‘stenographer’ (a fast typist, possibly using shorthand). But she’s entirely willing to do other things for money, including spending the night with her married employer. 

And I think that epitomises what I disliked about this film. It’s basically quite sordid. The Baron has a kind heart, and doesn’t want to hurt anyone, but towards the end of the film something shocking and unexpected happens to him. Joan Crawford’s employer (Wallace Beery) is a sleazy bully.  Lionel Barrymore’s character, the rather naive Mr Kringelein, is staying in the hotel because he has been told that he is dying, so he wants to use up the money he has saved. As for the dancer played by Greta Garbo, she’s over-dramatic, self-centred and greedy for adulation. 

Acting in the 1930s was always somewhat overdone and artificial, and that didn’t worry us over-much, although it was hard to identify with any of the characters. And frankly, the more we watched, the more I disliked it. I kept hoping there would be some redemption - something positive for at least some of the people. But for most of them (other than one minor character) the outcome is essentially either sordid or quite depressing. 

I gather some of this film was considered amusing, but we thought it was all rather sad, given the scenarios. Not in a weepy way, though; we didn’t care enough for (or believe in) anyone sufficiently to feel moved. However, I did appreciate the irony of the comment at the end of the film (repeating one said at the beginning) that nothing ever happened in the Grand Hotel. 

There’s nothing explicit shown, of course, although there are plenty of implications of intimacies and affairs. And there’s no bad language and very little violence.  There’s one disturbing scene which is implied rather than actually shown. So the rating originally was A (now PG). The subject matter wouldn’t be of the least interest to children or young teenagers anyway - and frankly, we disliked it so much we wouldn’t show it to anyone. It’s not a DVD that we plan to keep on our shelves.

Not recommended. But having said that, this film won awards and is highly regarded by many, so don't necessarily take my word for it. Perhaps it’s worth seeing once as a bit of cultural education, and an example of a different genre of film. 

Review copyright 2024 Sue's DVD Reviews

Let's Make Love (Marilyn Monroe)

(Amazon UK link)

We’ve had several DVDs of films from the middle of last century given to us by a friend who was downsizing. Having watched a film starring Marilyn Monroe for the first time a couple of weeks ago, we decided to watch another last night. ‘Let’s Make Love’ was billed as a comedy romance, made in 1960, nearly two hours long.

Although the film is in colour, the opening few minutes feature still black and white drawings depicting the (theoretical) French Clement family who have built up an empire in New York over several generations. The current owner, Jean-Marc Clement (Yves Montand) is a billionaire, and very arrogant. He speaks several languages and has very little time to himself. 

Then he learns from his press agent Alex Coffman (Tony Randall) that an off-Broadway theatre company are going to produce a show that satirises several famous people, including Jean-Marc. His instant reaction is to get it closed down, but Alex points out that this would be counter-productive. He suggests that they go and see what exactly is happening, showing good sportsmanship by being amused rather than offended.

Rehearsals are only just beginning, but Jean-Marc is smitten with Amanda (Marilyn Monroe) who is the main female star of the production. So when the director assumes that he is auditioning for the part of Jean-Marc, he goes along with it, hoping to get to know Amanda better.

It’s an amusing premise, and one that’s done very well. We thought the pace of the film excellent; perhaps the musical numbers in the show rehearsals are a bit long and tedious, but everything else works very well. The acting is a bit overdone, but that is typical of the era, and adds to the humour in a film that’s not meant to be taken seriously. 

We very much liked the comedy of errors that results, as Jean-Marc starts to fall in love, and discovers that being (apparently) an impoverished actor is a very different proposition to being an autocratic billionaire. Nobody laughs at his jokes, and Amanda doesn’t fall into his arms; she’s romantically involved with someone else, and she’s quick to point out Jean-Marc’s failings. It’s quite poignant as he realises that his power and money have attracted women and hangers-on, and he tries to figure out who he is, as a person. 

There are some amusing interludes as Jean-Marc tries to learn to tell better jokes, and to dance and sing, with cameo roles by Bing Crosby and Gene Kelly playing themselves. I didn’t particularly like Tony (Frankie Vaughan) who is Amanda’s co-star in the show, and romantic partner, but felt quite sorry for him towards the end. 

I was surprised at how very engaging and enjoyable this film was, and felt quite immersed in it despite the rather alien settings of a risqué show and a billionaire’s huge office block. Definitely one to watch again in a few years. 

I had wondered if the phrase ‘make love’ was still used in the Jane Austen sense of chaste flirting in the 1960s. But apparently the usage moved over to the current understanding in the 1940s, so the film and its contents are far from innocent. The rating in the UK is U, probably because there’s nothing explicit, no bad language and no real violence. But the theme isn’t appropriate for children, and it’s not something I would show to anyone under the age of about twelve or thirteen. 

Review copyright 2024 Sue's DVD Reviews

Sabrina (Audrey Hepburn)

(Amazon UK link)

Working slowly through the twenty-five classic DVDs given to us by a friend who was downsizing, we decided to watch ‘Sabrina’ last night. We had never heard of this film, which was made in 1954, but we had certainly heard of both Audrey Hepburn and Humphrey Bogart who were billed on the cover as the stars, along with William Holden (whom we had not heard of).

We had no idea what to expect from this seventy-year-old film. It was in black-and-white which sometimes bothers me for a minute or two, but no more - I was quickly absorbed in the storyline. 

The main character is a girl called Sabrina (Audrey Hepburn) who must be about seventeen or eighteen at the start of the film. She is the daughter of a chauffeur called Tom Fairchild (John Williams), and they both speak with English accents of the mid-century slightly upper-crust style that was informally known as ‘BBC English’. However they live in New York, at a stately home owned by the very wealthy Larrabee family. There are two adult sons in the family: Linus (Humphrey Bogart) and David (William Holden).

It quickly transpires that Sabrina has been in love with David for as long as she can remember, but he barely notices her. He’s quite a playboy, who has been married and divorced three times already, and is always ready for a flirtation with an attractive girl of his class. Sabrina is almost in despair, feeling that her heart is broken, so her father decides to send her to Paris for a couple of years, to do a cooking course with a celebrated chef. 

There’s a surprising amount of humour in this film, alongside some poignancy and very engaging characters. It could have been a bit schmaltzy but the dialogue is good, and the pace excellent. Some films of this era tend to drag, with over-done shots and lengthy scenes that could have done with some editing. But I didn’t find anything dull or long-winded in this film which, apparently, was one of Audrey Hepburn’s first major successes, launching her as a star. 

David can be quite charming, though he is clearly unreliable. His brother Linus is much more serious, and works every hour possible for the family business. And when Sabrina returns from her course, much more sophisticated and confident than she was two years earlier, both brothers find her rather attractive. I found it very interesting that, despite being set in the theoretically egalitarian United States, it was considered rather shocking that the son of a well-established and wealthy family could fall in love with the chauffeur’s daughter.  

There are some delightful secondary characters in the other staff at the Larrabee home, all of whom adore Sabrina, and think it wonderful that she might marry one of the sons of the house. There are some amusing scenes involving them which we appreciated very much. 

The rating is U, probably due to the lack of any intimacy or bad language, although there’s one potentially disturbing scene near the start of the film, and a few punches thrown between the brothers (with no gore). I can’t imagine it being of any interest to children, but feel that PG would have been more appropriate.

Apparently there was a re-make of this film in 1995, with Harrison Ford, but reviews suggest that it wasn’t as good or as well-made as the black-and-white original from thirty years earlier.

Recommended if you like this style of film, or if you are interested in seeing Audrey Hepburn in one of her earlier roles.

Review copyright 2024 Sue's DVD Reviews