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Series 6 opens with a Christmas special entitled ‘A Christmas carol’. It was a good one to see towards the end of the Christmas period; it was first broadcast on Christmas Day 2010. We first saw it in September 2013 and had entirely forgotten the story. It features a very Scrooge-like character, brilliantly portrayed by Michael Gambon, who refuses to allow a spaceship to arrive. Rory and Amy are in it, on their honeymoon, and send out an SOS to the Doctor.
The writing is clever, with more than a nod to Dickens; and we liked the resulting softening of the character. There are several Christmas carols featured in the background, too, and some amazing singing. It’s all very well done, we thought, with some tension and mildly scary effects - but overall, an excellent Christmas special. It’s an hour long, and then there’s an ‘extra’ on the same DVD, a Doctor Who ‘confidential’, which gives a lot of background to the episode. There are also a couple of brief ‘extra’ episodes filmed for Comic Relief.
The following week we watched the next episode, ‘The impossible astronaut’. It starts with a bizarre summons to Amy and Rory, who have not heard from the Doctor for a while. They meet at a beach, and a strange person in a spacesuit emerges from the sea, only to shoot the Doctor. Clearly there was going to be a resolution to this, as we knew he wouldn’t be regenerating just yet, but we had not at all recalled what happened, or the complexity of the ‘story arc’ that started in this episode.
I realised half-way through that it was progressing slowly enough to be a two-parter, so we watched the sequel immediately afterwards. It’s a very well-done episode, bringing River Song (Alex Kingston) into it more than previously, and showing more of her character. It also, rather disturbingly, makes one question why we sometimes hear creaks and shufflings in the night… and why we sometimes go into rooms or upstairs but then can’t quite remember why…
The third episode on the second DVD is ‘The black spot’. It all takes place on board a pirate ship, where crew members are gradually vanishing, lured by a siren… or so it appears. They’re becalmed, and terrified when the Doctor arrives with Rory and Amy. Not one of my favourite episodes, as there’s quite a lot of fast action, but it was quite amusing seeing Amy dressed as a pirate.
Episode four, ‘The doctor’s wife’, is mainly about the tardis. He follows a distress signal to a distant planet, where it seems that there might be other time lords, although the only people he finds are an elderly couple… who are not quite what they seem. This is rather a bizarre episode, even by Doctor Who standards, and I’m not sure I entirely understood it, but it’s all very well done.
Episodes five and six are another two-parter which I found extremely scary. The Doctor and his companions arrive on a planet where workers have learned to build clones of themselves, known as ‘gangers’. These are considered disposable, and are used in dangerous situations. But the gangers have ‘memories’ and emotions that match those of the real people, and they start to rebel. The Doctor tries to encourage them all to work together in a story which I found increasingly disturbing.
Then it ends with a twist involving Amy, who (as we have seen in previous episodes) might or might not be pregnant.
This twist is followed through in Episode seven, ‘A good man goes to war’. It’s possibly one of the most confusing episodes ever. Amy is in a remote location, about to give birth. And she’s going to have to give up her baby, whom she calls Melody. The Doctor and Rory set out to find her, after the Doctor sends out many requests for help to people (or, in most cases, aliens) who owe him a favour. And there’s another unexpected twist, one I recalled from the first time we saw this, as it was so startling.
But although I quite liked this episode, I found the timeline and contents totally mystifying.
Episode eight, ‘Let’s kill Hitler’ introduces a new character, Amy’s former schoolfriend Mels. She says she’s heard all about the Doctor, and wants to go back in time to kill Hitler… and they end up by saving Hitler, and getting involved with some shape-shifting robot. This episode, which relates in some ways to previous ones, did nothing to clarify my confusion about the ongoing story arc.
So I very much appreciated the ninth episode, ‘Night terrors’. An eight-year-old called George is terrified of monsters in his room, and prays to be saved. His parents have given him techniques to help, but they’re almost at their wits’ end when the Doctor arrives, having picked up George’s distress call. Some of this story is a bit spooky, but it’s more light-hearted than some of the others, and has an entirely satisfactory ending. It stands alone rather than being part of the story arc.
That’s followed by a relatively light but very confusing episode, ‘The girl who waited’. The Doctor, Amy and Rory travel to - supposedly - a popular tourist destination, only to find themselves in quarantined rooms. Worse, Amy ends up in a different room and time-line… some moral issues, and a lot of character development without any enemies as such.
Then comes ‘The god complex’, a rather spooky episode featuring a hotel with endless corridors which keep changing. Everyone has a room in which they have to face their fears… and when they do, they start praising someone - or something - and end up dead. It’s all very cleverly done, but at the end the Doctor decides that he needs to leave Amy and Rory on earth, as he’s worried that they might die if they continue travelling with him.
We then watched the last two episodes in one evening, although they’re not technically two parts of the same episode. ‘Closing time’ sees the Doctor visiting his old friend Craig - from ‘The lodger’ in series five - only to discover strange things going on, as people are vanishing from a department store. There’s some humour in this episode, and some poignancy when the Doctor sees Amy and Rory in the distance. Then it ends with a tense few scenes that made me want to move straight on to the last episode.
‘The wedding of River Song’ is perhaps one of the most confusing episodes of all. I often find the time travel rather mind-boggling when it involves multiple forays forwards and backwards, and this one does that more than I can recall. It takes us back to the first episode, and explains what happens… and it also picks up on events and situations from other episodes in this series. I did like seeing several characters from other episodes in this series (and the fifth series) taking part in this finale.
I think I figured out some of the storyline; in one sense it really doesn’t matter. It was all very well done, and I’m already looking forward to watching Series 7. Matt Smith has come into his own in this series, and is an excellent incarnation of the Doctor. The whole is very well made with an excellent blend of tension, action, human interest and - in places - humour.
Definitely recommended if you like this series, and if you like complex storylines. The rating is 12, reflecting the extreme tension and some violence, but younger children who like this kind of thing might enjoy it too.






