Shadows in the sun (Joshua Jackson)

(Amazon UK link)

It’s nearly eleven years since we watched the 2005 film ‘Shadows in the sun’. I hadn’t remembered anything about it; we watched it last night and I had no memory of it at all, though my husband recalled one or two brief scenes. 

The story features a thirty-something man called Jeremy (Joshua Jackson) who works for an editing company in London. His boss (John Rhys-Davies) notes that another company has just signed up a writer who had not produced anything for a decade. He asks Jeremy what he thinks of another writer, Weldon Parish. Jeremy mentions that he loved a book Weldon had written when Jeremy was a child. However, he had apparently stopped writing when his wife had died twenty years earlier.

The boss announces that Jeremy is to travel to Tuscany, in Italy, to recruit Weldon to their books. Jeremy doesn’t believe it’s possible, but has no choice. We see him travelling in a smart suit, with his briefcase and his determination to attempt what might be impossible.

Doctor Who series 7 (Matt Smith)

(Amazon UK link)

After rewatching the excellent 2011 Christmas special, ‘The doctor, the widow and the wardrobe’ towards the end of April, we embarked again on series 7, the last full series featuring Matt Smith as the 11th Doctor.  We first watched series 7 during 2014; it was originally broadcast during 2012. 

The first episode, ‘Asylum of the daleks’ is a dramatic one. I have never liked the daleks, but they’re probably the most iconic aliens in the series. In this episode, the Doctor is summoned, to his astonishment, to help them figure out a problem with the planet where they have imprisoned daleks who have gone insane. 

They’re worried that they might escape, and the Doctor is the only person who can do what they want. They also send Amy (Karen Gillen) and Rory (Arthur Darvill), who - as we have seen in the first scenes of this episode - are about to get divorced.

It’s an exciting start to the new series, one with several twists and turns and the introduction of Jenna-Louise Coleman as Oswin. She’s a self-proclaimed genius who has somehow survived a spaceship crash and is using her computer to control doors and other features around the plant.

The magic of Belle Isle (Morgan Freeman)

(Amazon UK link)

It’s over ten years since we watched ‘The magic of Belle Isle’. I had forgotten most of the story, but knew it featured Morgan Freeman, who is always excellent. We wanted something relaxing to watch, and decided on this 2012 film.

We were almost immediately captivated. 

Monty Wildhorn (Morgan Freeman) is a former novelist who was quite well-known for his western adventures. But life has not treated him well, and he’s lost both his faith and his mojo. He hasn’t written for years and has become an alcoholic. He’s in a wheelchair - we don’t learn why until much later in the film - and is both angry and depressed.

Monty’s nephew Henry (Kenan Thompson) persuades him to stay in a beach house, dog-sitting for the summer. He sets up Monty’s typewriter, hoping that the tranquillity of the location might persuade him to write again. 

The shack (Sam Worthington)

(Amazon UK link)

It’s seventeen years since I read the bestselling Christian novel ‘The Shack’, which caused some controversy in American evangelical circles. I recalled disliking the first section which was cliché-ridden and described a heart-breaking family tragedy. But it got better. The main part was unexpected,  inspiring, and moving in places. 

I wasn’t sure I wanted to see the film that was based on - or, at least, inspired by - the book, which was made in 2017. But my husband acquired the blu-ray, so we decided to watch it last night. 

The opening is quite disturbing; 13-year-old Mack (Carson Reaume) lives with a seriously abusive father who drinks too much and becomes violent. This is hidden behind an overly-religious front, demanding that children obey their parents, and expecting his wife to obey him. When Mack’s mother can’t take it any more, she leaves, and Mack takes matters into his own hands. 

A hard day's night (The Beatles)

(Amazon UK link)

We’ve had the DVD of the classic film ‘A hard day’s night’ on our shelves for years. I have no idea how or when we acquired it. But last night we decided, at last, that we would watch it. We knew nothing about it, other than that it featured The Beatles.

The film was made in 1964, but was in black-and-white. This didn’t worry us, after a moment’s initial surprise. And while there is, of course, quite a bit of Beatles music featured, the film doesn’t feel like a standard musical. Instead, it’s a story - fictional, but based loosely on the kinds of things that might have happened - starring the four Beatles as themselves.

We first see them chased and almost mobbed by screaming young women, but getting onto a train with their manager Norm (Norman Rossington) and his sidekick Shake (John Junkin). They are also accompanied by Paul’s grandfather (Wilfred Bramble). I could not understand the frequent references to Grandfather as ‘a very clean man’, until we watched one of the ‘extras’. Apparently he was better known in a sitcom from the same era, ‘Steptoe and Son’, where he played an elderly man who was known for being very grubby. 

Magic in the moonlight (Colin Firth)

(Amazon UK link)

From time to time, Amazon recommends films to me, based on prior purchases. One of them which looked interesting a year or so back was the 2014 film  ‘Magic in the moonlight’, which stars Colin Firth. I put it on my wishlist, and had forgotten about it when I was given the blu-ray version for my recent birthday.

Colin Firth is best known for his Mr Darcy in the BBC ‘Pride and Prejudice’ film; he also seems to appear fairly often as a somewhat self-deprecating, slightly clumsy Englishman. So it was quite refreshing - and surprising - to see him as Wei Ling Soo, a suave, talented conjurer who stuns an audience in 1928 with his oriental routine. The film opens with him dressed as a tall Chinese magician, and we see, as his audience does, an elephant that disappears, and his finale when he vanishes from a box and reappears on a swivel chair.

He then shows himself as a rather big-headed and very irritable man called Stanley. He begins to remove his costume, criticises his assistants, and refuses to sign autographs or appear in photos with his fans. He knows he’s popular, he knows he’s brilliant, and he doesn’t care who he upsets.

Doctor Who series 6 (Matt Smith)

(Amazon UK link)

We finished watching Doctor Who series 5 at the end of last year. We had become familiar with Matt Smith as the 11th Doctor, and with Amy Pond, portrayed by Karen Gillen, as his companion. At the end of the fifth series, Amy married Rory (Arthur Darvill), and both had decided to keep travelling with the Doctor. 

Series 6 opens with a Christmas special entitled ‘A Christmas carol’. It was a good one to see towards the end of the Christmas period; it was first broadcast on Christmas Day 2010. We first saw it in September 2013 and had entirely forgotten the story. It features a very Scrooge-like character, brilliantly portrayed by Michael Gambon, who refuses to allow a spaceship to arrive. Rory and Amy are in it, on their honeymoon, and send out an SOS to the Doctor. 

The writing is clever, with more than a nod to Dickens; and we liked the resulting softening of the character. There are several Christmas carols featured in the background, too, and some amazing singing. It’s all very well done, we thought, with some tension and mildly scary effects - but overall, an excellent Christmas special. It’s an hour long, and then there’s an ‘extra’ on the same DVD, a Doctor Who ‘confidential’, which gives a lot of background to the episode. There are also a couple of brief ‘extra’ episodes filmed for Comic Relief. 

The love punch (Emma Thompson)

(Amazon UK link)

It’s ten years since we watched the 2013 film ‘The love punch’. Neither of us could recall anything about it, and we wanted something light to watch. So we decided on this film, noting that all four of the main cast were people we knew of. We’re not generally very aware of a lot of famous actors, so this was unusual.

Emma Thompson is wonderful as the middle-aged divorced Kate. We see her at a wedding, bumping into her ex-husband Richard (Pierce Brosnan). It’s clear that they still have things in common, but they can’t seem to exchange more than a couple of sentences without being unpleasant to each other. Emma Thompson has a gift of becoming the person she is playing - and I thoroughly enjoyed her role. 

Pierce Brosnan doesn’t seem to be quite as versatile; while the role of Richard is different from his best-known James Bond, there’s still a fair bit in common with the two. He looks and sounds like himself; not that it’s a problem, since his character fits very well with that of the businessman Richard. 

Shakespeare Retold (2005)

(Amazon UK link)

Many years ago, at a charity fair, I bought a DVD called ‘Shakespeare retold’. We’ve quite enjoyed productions of Shakespeare plays over the years, both live ones, and adaptations on film, such as ‘Twelfth Night’ and ‘Midsummer night’s dream’; both those are set in the 19th century rather than the 16th, but otherwise are true to the originals, using the same text.

What we hadn’t realised is that this BBC series consists of modernised stories, based very loosely on Shakespeare’s originals. So there’s almost none of the 17th century dialogue, although names of some of the characters are the same or similar to those used by Shakespeare.

The first one we watched one evening when we wanted something reasonably light, and not too long. It’s based on the play ‘Much ado about nothing’, which neither of us was very familiar with. It’s set in a TV news studio, primarily. The main characters, as in Shakespeare’s original, are called Beatrice (Sarah Parish) and Benedick (Damian Lewis). They have some history, as is clear from a brief opening sequence, and the director has decided to reunite them on screen as news anchors after someone else loses his job. 

Mother's Day (Jennifer Aniston)

(Amazon UK link)

Another new (to us) film is ‘Mother’s Day’ which we bought for 50 pence in the UK this summer. It was made in 2016 and we had not heard of it; but three of the main actors are well-known: Jennifer Aniston, Julia Roberts, and Kate Hudson. 

The first few scenes introduce a lot of different people, and I found myself somewhat bewildered for the first twenty minutes or so. It wasn’t clear who, if anyone, was the ‘main’ character, nor what the plot was about. It was evidently all pointing towards a celebration of the US holiday ‘Mother’s Day’ (which is in May) and that turns out to be the tentative thread connecting the various groups.

Jennifer Aniston is excellent as Sandy, a woman with two sons. She is divorced from Henry, but they’re still quite amicable… until she learns that he’s married a much younger woman. And this younger woman is surprisingly good with their sons. Her jealousy and anger are sometimes a tad exaggerated, but this film isn't intended to be taken too seriously. 

How to lose a guy in 10 days (Kate Hudson, Matthew McConaughey)

(Amazon UK link)

‘How to lose a guy in ten days’ is the film on a DVD we picked up for 50p in a charity shop in the UK earlier this year. It was made in 2003. We had no idea what to expect, but we usually like light romantic comedies. So we decided to watch it last night.

Andie (Kate Hudson) works for a women’s gossip magazine called ‘Composure’ (evidently intended to be a spoof on another well-known magazine that starts with the same two letters). She writes ‘how to…’ articles, but really wants to focus on more serious issues such as politics or the refugee crisis. Her best friend Michelle (Kathryn Hahn) also works there, but has endless relationship issues. Their boss Lana (Bebe Neuwirth) wants someone to write an article based on Michelle’s love-life, and Andie volunteers…

Never been kissed (Drew Barrymore)

(Amazon UK link)

Once again we were tired. So we wanted to watch something light and not too long. We looked through some DVDs which we had not seen in a decade or so, and opted for the 1999 movie ‘Never been kissed’, which we last saw in February 2014.

Drew Barrymore - rather a young Drew Barrymore - stars in this light-hearted romantic comedy. I had entirely forgotten the storyline. Drew plays 25-year-old Josie Geller who has a good job with a newspaper, working as a copy editor. She’s quite pedantic, and evidently very good at what she does. She has her own office, and even an assistant, though he doesn’t seem to be much use. 

But Josie longs to write some stories for the paper. She’s proposed several ideas, most of which have been accepted - and then given to another writer. She’s almost in despair when the paper’s CEO, the rather authoritarian Rigfort (Garry Marshall) announces that their next big scoop is going to be an undercover expose of a high school. And he selects Josie to research and write the story. To do so, she has to pretend to be 17, and enrol in the local school…

Little Fockers (Ben Stiller)

(Amazon UK link)

Six months ago we watched the film ‘Meet the Fockers’, which I found inexpensively in a local thrift store. We liked it so much that I ordered (second-hand) the first and third in the series when I was in the UK.  We watched ‘Meet the parents’ last week, and thought it excellent. So we were looking forward to seeing the final film in the trilogy, ‘Little Fockers’, yesterday evening. 

The main characters are the same as in the other two films, and the chemistry between them is as good as ever. Ben Stiller is excellent as Greg Focker, a nurse who has other responsibilities in his hospital. He’s married, now, to Pam (Teri Polo) and they have twins, Samantha and Henry, who are nearly five. Samantha is considerably taller than Henry. Apparently the actress (Daisy Tahan) was eight in 2010 when the film was made, while Colin Baiocchi, who played Henry, was a year younger. 

Meet the parents (Ben Stiller)

(Amazon UK link)

About six months ago, we watched the 2004 film ‘Meet the Fockers’, and found it very enjoyable. When I was reviewing it, I learned that it was a sequel to the 2000 film ‘Meet the parents’. I was making an order from the ‘Worldofbooks’ site, to be collected when I was in the UK in the summer. So I decided to add this film, and the third in the trilogy as well, as both were priced very inexpensively. 

I expected used editions of these DVDs, and was surprised and pleased to find that ‘Meet the parents’ was still shrink-wrapped, either new or as-new. We watched it last night. It wasn’t a problem that we had seen these films in the wrong order, although we had some inkling of what the characters were going to be like.

Ben Stiller is excellent in his role as the slightly hapless and unambitious Greg. He works as a nurse, where he is sometimes mistaken for a doctor. But we only see him in this role at the start of each of the films. He then goes to meet his girlfriend Pam (Teri Polo) in his lunch break. We see her finishing her morning’s teaching in a class of young children, perhaps Kindergarten. She’s evidently a good teacher who cares about all her children and their health and emotional side as well as their academic education. 

Greg is about to propose to Pam, using an unusual visual display when she’s interrupted by a phone call. He discovers that he should ask her father first. And then we see them arriving at her parents’ home, a couple of weeks later, for her sister’s wedding after quite a stressful plane ride where his luggage gets lost.

Pam appears to revert to a young child, swung around in her father (Robert De Niro)’s arms, then greeted by her mother (Blythe Danner) as if she were about six. Greg is introduced almost as an afterthought. And while her parents seem to be welcoming, they are full of suspicion. Her father, in particular, doesn’t think anyone is good enough for his older daughter. He is particularly biased against male nurses, though it’s not clear why. 

Most of the film then takes place over the next couple of days. The action includes part of a wedding rehearsal, a meeting with Pam’s ex fiancé (Owen Wilson), a game of pool volleyball where Greg distinguishes himself in negative ways, and a lost cat. Disaster follows disaster as Greg tries, in vain, to impress his future in-laws. It could have been trite or silly, but the choreography is excellent, the script well-written, and the whole really quite amusing. It’s exaggerated and caricatured, of course, but we didn’t find that a problem. 

I suppose part of the appeal of this film is because many people have some apprehension before meeting the parents of a partner or future spouse. We all want to live up to others’ expectations, and all the more so when they are important to the people we love. Ben Stiller is extremely good in this role, which approaches but never quite reaches slapstick. Robert De Niro is superb, too, as the strict father who, nevertheless, has something of a sense of humour. Perhaps the eventual (and inevitable) reconciliation scene is a tad unlikely, but then so are many of the other scenes. 

This is one of the rare films that succeeds in being a true rom-com: the romance is there with some great chemistry between Greg and Pam. But it’s also full of humour, including places where we laughed aloud. It’s not to be taken seriously, although it makes some good points about honesty and being oneself, rather than trying too hard to impress others. It made a very good evening’s light viewing.

The rating is 12, which is probably about right, in my view. There’s nothing explicit, but many innuendoes and some passionate kisses. There’s one short scene of mild (accidental) violence with quite a bit of blood. There’s discussion about both smoking and marijuana. Then there are a few instances of mild bad language. Also, of course, Greg’s surname (‘Focker’) sounds deliberately like a ‘strong’ word. I don’t think any of these things would actually disturb or corrupt a young child, but since all the actors are adults and the story is about adult relationships, it’s unlikely to be of interest to anyone under 12. 

Review copyright 2025 Sue's DVD Reviews

Doctor Who complete fourth series (David Tennant)

(Amazon UK link)

We finished rewatching series 3 of Doctor Who in early April, and then didn’t watch anything for a couple of weeks while our family visited. Finally, at the end of the month we began series 4, which opens with the Christmas special that was first broadcast in December 2007. 

The title of the special episode is ‘Voyage of the damned’, and it’s over an hour long. We had mostly forgotten it, as we last watched series 4 in 2013. It features an apparently traditional Christmas party on a spaceship which has the unfortunate name of ‘Titanic’. The doctor befriends one of the waitresses, called Astrid (Kylie Minogue in a one-off performance) as strange things start happening.

It didn’t seem particularly Christmassy, other than the opening, but Astrid was well cast, and an excellent assistant to the Doctor (David Tennant in his third series as the tenth Doctor). There’s a lot of fast action and it’s quite sad as well as dramatic. I recognised Geoffrey Palmer as the ship’s captain, and also a cameo role for Bernard Cribbins as Wilf, selling newspapers when some of the group briefly visit London. 

It was a couple of weeks later when we watched the next episode, ‘Partners in crime’. It’s much more light-hearted, and despite its widespread low rating, it’s one of my favourite stories. Donna (Catherine Tate) reappears in this, and there’s quite a bit of situational humour as she and the Doctor keep missing each other, neither aware that the other is nearby. They are both, independently, concerned about a new product designed to reduce fat. 

I wasn’t sure about Donna when we first saw this series, after the excellent Martha. But I very much appreciated the repartee between her and the Doctor this time around. I also recognised that their relationship as platonic friends is rather healthier than that of Rose and Martha, both of whom had major crushes on the Doctor (reciprocated, apparently, in Rose’s case). 

Episode Three is also one which I very much liked seeing again. Donna agrees to travel to somewhere in known history, and the Doctor believes they have landed in ancient Rome. But they’re in Pompeii, on the eve of the eruption of Vesuvius. Peter Capaldi appears in this episode as the Roman Catullus, father of a rebellious teenage son, and a daughter who is being primed to be part of a religious group. Several women can ‘see’ into the future, quite accurately. But none of them are aware of the imminent eruption… 

This episode is very well done, with authentic Roman costumes and sets, and some humour which transpires when Donna tries to use actual Latin words. And the Doctor has to make an almost impossible decision, as well as a more personal one, where he is persuaded by Donna to change history a little bit.

Episode Four is more serious, set far in the future on the planet of the Ood. The Ood seem particularly subservient, yet something is going wrong, as a few of them apparently turn rogue. It’s quite a thought-provoking episode, touching metaphorically on the subject of servants vs slaves, with some fast action and some quite emotive scenes. 

That’s followed by ‘The Sontaran Strategem’, a tense two-part story, which concludes with ‘The poison sky’. Martha Jones (the Doctor’s companion in Series Three) gets in touch with him, wanting a raid on a suspicious factory. It has been supplying a new kind of navigation system, but several people who were using it have died. There’s a storyline alongside this, involving a strict boarding school, supposedly for brilliant people, which is run by a most unpleasant young man called Luke. 

The first part ends with a cliff-hanger so I was glad that we could see the second part immediately afterwards. It’s quite a stressful story, but cleverly done. And I liked the way that Martha came into her own again - and is taken at the end, so that she can have another adventure.

I really liked the next episode, ‘The doctor’s daughter’, where both Donna and Martha travel with the Doctor. His ‘daughter’ is generated from his DNA, and I enjoyed it all the more knowing that this attractive young woman, known as ‘Jenny’, ended up in ‘real life’ as David Tennant’s wife. 

Martha leaves at the end of this episode, which is emotional and poignant, and the next one sees the Doctor and Donna at an upper-class lunch party in the 1920s. One of the guests is Agatha Christie, who at the time has only written a handful of novels, although they’re becoming well-known. It’s an amusing episode, peppered with references to Christie’s novel titles, and - in theory - explains a mystery that has puzzled her fans for decades.

‘Silence in the library’ starts another two-parter, entirely set in a planet-sized library in the 51st century. It’s a bit spooky, and we thought very well done. This is the episode where the Doctor first meets River Song, whose time-line apparently runs in the opposite direction from his. We knew, from having seen this and subsequent series before, who she was; but the story behind her involvement with the Doctor still feels rather bewildering. 

‘Midnight’ is an episode where Donna is lying on a sun-lounger in a luxury hotel, and plays almost no part in the story. The doctor, and a handful of other people, are en route to a visitor attraction known as a sapphire fountain. They’re a mixed bunch of people, some of whom have done the trip before. So nobody expects the shuttle to stop, and a rather scary knocking to begin… 

‘Midnight’ is what became unofficially known as a ‘companion-lite’ episode, since it mainly featured the Doctor without Donna. The following episode, ‘Turn left’, is a ‘doctor-lite’ episode, almost all about Donna. The Doctor appears only briefly at the beginning and the end. 

'Turn left' is something of a surreal episode - even more so than most of this series! - beginning with a palm reader who offers Donna a free reading. She asks for some history about why she started travelling with him, and poses a question: what would have happened if she had turned right, rather than left, on a day when she was going to a job interview. 

The story then has brief cameos of many of the earlier episodes in the series, showing what would have happened if Donna had not rescued the Doctor in ‘The Runaway Bride’, at the start of Series 3. I quite enjoyed the reminders of some of the stories, and the alternative reality that would have taken place if the Doctor had not been around to avert multiple crises. And if that isn’t bizarre enough, the Doctor’s earlier companion Rose, who is in a different universe, keeps appearing to talk to Donna… 

And then there’s a dramatic, exciting two-part ending to this series, episodes 12 and 13. We watched them one after the other, ensuring we had plenty of time. The Doctor and Donna arrive on Earth on what seems like a normal day… and then, a few minutes later, the entire planet has vanished. I’m not sure I entirely followed the plot, but essentially a load of planets from around the universe have been hijacked. This is part of a domination strategy by some of the worst of the classic alien enemies.

I found some of it quite scary, with a bit too much fast action. But what I did like is that these episodes draw together several people from the Doctor’s past. Rose has crossed back from the dimension where she had ended up, Martha is involved too. Jack Harkness gets in on the act, as does Sarah Jane and her teenage son. And there are appearances from Rose’s mother Jackie and her former boyfriend Mickey. And even the former prime minister Harriet Jones has a small but very significant role.

There are a good number of extras in our DVD box set, and we watched most of the ones that shared a DVD with the episodes. They give some good insights into the making of the series, and we particularly enjoyed the one that gave an overview of the first four series of the ‘new’ Doctor Who, and it’s popular revival.

All in all, I liked this series very much. But then David Tennant is unquestionably my favourite of the Doctors, and I very much enjoyed Catherine Tate’s portrayal of Donna, with an entirely platonic relationship. I like, too, the fact that the Doctor develops as a character; he's not just a super-hero who arrives on his tardis to fix everything. He makes mistakes, he has regrets, and he has a sense of humour. There's a lot of poignancy in this series, and a lot of happiness too.

Definitely recommended.  Rated 12, probably due to some of the violence and tense situations. 

Review copyright 2025 Sue's DVD Reviews

Good Omens (David Tennant, Michael Sheen)

(Amazon UK link)

Although it’s twenty-five years since I last read the excellent book ‘Good Omens’ by Terry Pratchett and Neil Gaiman, I remembered that I liked it very much. So when I saw that it had been serialised on film, with David Tennant as one of the main characters, I knew I wanted to see it. It took a while for it to be available, but eventually I put it on my wishlist. I was given a blu-ray edition for Christmas, and we have been watching one episode per week over the past six weeks. 

I was pleased to see that, at least as far as I recall, it was remarkably true to the original. It opens in the garden of Eden; the snake tempts Eve, and she and Adam are cast out. Then we see the demon Crawley (David Tennant) discussing things seriously with the angel Aziraphale (Michael Sheen). Aziraphale has given away his flaming sword, which he uses to guard the garden, and both are wondering if they did the right thing…

The main action moves to the end of the 20th century, and the birth of a baby. Crawley is told to deliver the antichrist to a particular couple; but things go awry, as in the book. Crawley and Aziraphale keep a watch on a normal human boy who mostly ignores them. The actual antichrist is given to another couple who bring him up as an ordinary child. Adam is a likeable boy, on the whole, with leadership skills and three close friends. 

Subsequent episodes backtrack somewhat through history, showing Crawley and Aziraphale meeting each other at significant points - Noah taking the animals on board the ark, for instance. I did feel slightly uncomfortable at a scene portraying Jesus’ crucifixion, which I don’t feel should be treated with even mild humour. But then Crawley asks what he did, to deserve such a terrible punishment, and Aziraphale responds, ‘He told people to be kind to each other’. As a theological statement it’s surprisingly profound. 

There’s another thread involving a woman called Anathema who is the descendant of a witch called Agnes Nutter. Agnes was burned at the stake, but left behind a book of accurate prophecies. These lead to several amusing moments, as things written hundreds of years earlier are oddly appropriate to the modern era.

Over the centuries, Crowley and Aziraphale adapt more and more to human life. And in the era when Adam is growing up in the countryside, Aziraphale owns an antiquarian bookshop. Crowley is more interested in classic cars, which he drives at a breathtaking speed. And while they profess loathing for each other, it’s clear that they have a sort of unwilling friendship.

Everything is moving towards Armageddon, so we also see the horsemen of the apocalypse preparing to ride… and every so often there are placards announcing how near we are to the end of the world…

It’s all very much reminiscent of the book; the only parts I didn’t recall were some forays that Aziraphale makes into the heavenly realms, where other angels are portrayed as not particularly nice characters. I thought that was a bit of a strange touch. Evidently I need to read the book again soon. 

The acting is excellent, and the production very well done with great use of special effects alongside believable (in context) people. When I read the book I found the storylines, running alongside each other, a tad confusing at times. In this film version it all works well and makes more sense. Having said that, I would probably have found it somewhat bewildering if I wasn’t already familiar with the story. 

We have been watching Doctor Who series 4 with David Tennant in the title role over the same period, and I wondered if I would sometimes find the overlap disturbing. But he’s such a good actor that I mostly forgot that he was anyone other than the demon Crawley, adapting to human life. I don’t think I’d seen Michael Sheen in a production before, but he was also excellent as the slightly nervous, uncertain angel who really wanted to do the right thing, and to be left alone with his books.

The rating is 12, which is about right, in my opinion. There are a few potentially disturbing scenes, and a handful of instances of bad language. There are innuendoes, too, and a couple of scenes showing a couple in bed together, though covered with sheets and just talking. The entire theme isn't really appropriate for younger children anyway. 

I know a second series was made of ‘Good Omens’, though it doesn’t seem to be available on DVD or blu-ray. But I don’t know that I want to see it. This first series covers the events in the book, and seems to me to be complete in itself without the need for anything else. 

However, I would recommend this original (first) series highly. If you do buy it, make sure it's in English if that's your preferred language, or that it has English options. Our set is an Italian one, but has the option of English too. 

Review copyright 2025 Sue's DVD Reviews

Failure to launch (Matthew McConaughey)

(Amazon UK link)

I’m not sure why ‘Failure to launch’ was recommended to me by Amazon; perhaps it was because I had previously watched and liked a film with Sarah Jessica Parker in it. Whatever the reason, the blurb sounded interesting and I put it on my wishlist. I was given the DVD for my birthday a few months ago, and we watched it last night.

We’ve recently seen some films that were supposed to be romantic comedies, but which liked either romance or humour. ‘Failure to launch’, however, succeeds in providing both. It’s an unusual story, and felt quite contemporary so I was surprised to learn that it is almost twenty years old. 

Tripp (Matthew McConaughey) is in his mid-thirties, and still lives with his parents. It works well, at least from his perspective. His mother (Kathy Bates) still provides breakfast for him, and even washes his clothes. His father (Terry Bradshaw) would like him to move out, but they haven’t figure out how to let him know. And Tripp uses the situation when he wants to dump a girlfriend - he takes her home, and in most cases they are so shocked to learn that he still lives with his parents that they storm off. 

So Tripp’s parents come up with a scheme. They hire an attractive young woman called Paula (Sarah Jessica Parker) to make Tripp fall for her. She says she’s had a great success rate, usually with somewhat geeky young men, who - after going out with her a few times - decide they need to move out. I wasn’t entirely sure how this would work: Paula didn’t intend long-term relationships with any of them, or even anything too intimate, so I didn’t entirely understand why they were persuaded to move out, nor what happened when Paula moved on.

Paula is pleasantly surprised to discover that Tripp is good-looking and interesting, and he, not knowing what his parents have done, is rather keen on her, too. She follows a typical routine: she goes to dinner with him, joins in one of his hobbies (sailing), she meets his friends and gets along with them, and she engineers an apparent emotional trauma. Tripp finds her very attractive, but he’s afraid of commitments, and when she starts making hints about something long-term, he follows his usual pattern of trying to dump her…

All of which would be rather cliched and predictable if that was the only storyline. But there are some great scenes with Tripp and his two long-term buddies, who also live with their parents. There are also some quite amusing scenes with Paula in her flat with her flatmate Kit (Zooey Deschanel). Kit is getting driven round the bend by a noisy bird right outside her window; her dead-pan comments are perfectly done. .

There are some slightly ridiculous scenes, too, when Tripp gets bitten by several animals - I assume all CGI or whatever the 2006 equivalent was. They’re somewhat realistic, but not entirely, and I wasn’t quite sure what the point of these was, other than to imply that Tripp does not get on with the natural world. The most bizarre scene, however, takes place after Kit and one of Tripp’s friends decide to shoot the annoying bird.. 

It’s all a bit caricatured, of course, and the main storyline predictable from the first. But it’s very well done, and nicely balanced. The actors are excellent, and the timing impeccable. While we were watching, we felt quite drawn to the storyline; I smiled several times and even chuckled once or twice. There were also some scenes that were surprisingly moving and thought-provoking, although the ending is pure farce - and quite amusing too. 

The rating is 12 which I would say is about right, though it’s unlikely to be of interest to anyone younger than about fifteen. There are implied scenes of intimacy but only blankets are shown. However there’s quite a bit of discussion about and references to sex. There’s a scene including rear nudity, played for humour; and there are a few instances of bad or ‘strong’ language, but nothing excessive. There’s some paintball violence and the biting scenes which don’t last long, and a potentially disturbing scene with a dog at the vet’s.  

Overall we liked this film very much, and will probably watch it again in another decade or so.

Review copyright 2025 Sue's DVD Reviews

The Jane Austen book club

(Amazon UK link)

It’s eleven years since we watched ‘The Jane Austen book club’, so more than time for another viewing. We wanted something reasonably light-hearted, and this was ideal for the purpose. We hadn’t remembered much about it, other than that it related to a group of people meeting to discuss Jane Austen’s novels.

It’s a tad confusing in the early scenes, as I tried to work out who was going to be a main character, but I soon sorted most of them out in my mind. The early scenes give us a bit of background to each of the six folk who decide to form the monthly club. They’re all American, and the story is set in California. 

The opening scene is of a funeral. It turns out to be for someone who was important to Jocelyn (Maria Bello)... though also rather unexpected. Jocelyn is comforted by her friends Bernadette and Sylvia. Bernadette (Kathy Baker) is a bit older, and quite glamorous. She has been married several times, but is currently single.

Sylvia (Amy Brenneman) has been married for nineteen years to Daniel (Jimmy Smits) and is still very much in love with him. So when he tells her that he feels it’s time to move on and separate, she is devastated. Her daughter Allegra (Maggie Grace) is furious with her father, and decides to move back home to be with her mother. 

Sylvia’s friends suggest forming a book club to discuss Jane Austen’s novels, as they all like them so much. One of the other members is Prudie (Emily Blunt). She is a very organised, neat and tidy French teacher, married to Dean (Marc Blucas). But he seems to care more about football than he does about her, and rarely communicates. She’s quite emotional and needy, and also loves Jane Austen.

Then there’s Grigg (Hugh Dancy) who meets Jocelyn in a bookshop. He’s clearly quite attracted by her, but she doesn’t realise this. Instead, she wonders if she can set him up with Sylvia, since her ex-husband is seeing someone else. Grigg only reads science fiction, but is keen to expand his horizons, and asks if he can join the club…

The story is cleverly done, showing six months where one book after the other is read and discussed. Not that there’s a whole lot of discussion; instead, events in the characters’ lives reflects aspects of the book. Jocelyn, for instance, is an enthusiastic matchmaker, rather like Jane Austen’s ‘Emma’. Prudie becomes disturbingly attracted to an 18-year-old student whom she sees in a play, reflecting a significant part of ‘Mansfield Park’. 

And a whole lot more. There’s some humour in the book, and some quite moving places, as well as a fast pace and some interesting conversation. It’s not necessary to have read any of Austen’s books, although it certainly adds to the enjoyment to see the parallels. And each of the characters reflects, in some way, one of Austen’s characters (or several of them, in Grigg’s case). 

As a book lover myself, I could relate to the characters’ passion for Austen’s novels, and their discussions of the people as if they were old friends. I enjoyed Grigg’s comments, as someone new to the book; he often seemed to have quite insightful points. And I thought his house decorating for the month of ‘Northanger Abbey’ was cleverly done, though slightly disappointed that there was almost no discussion of that book.

The final book group meeting takes place on the beach, with a few extra visitors; once again there’s almost no discussion of the book, but a great deal of interaction. Prudie is tempted to do something that would get her into serious trouble as a teacher, only to pause and reconsider as she gazes at the traffic lights, in a scene that’s both tense and amusing.

The rating is 12, and I thought that was about right. There’s no violence in the book, and no nudity, although there are a few quite passionate embracing or kissing scenes, including some between women. There’s minimal bad language, but a lot of innuendoes. And there’s a woman - the hippie mother of one of the characters - who’s seen smoking pot. 

All in all, we enjoyed this film very much. My husband hasn’t read any of Jane Austen’s books but has seen several of the films, and he liked it as much as I did. We particularly liked the ending, showing everyone at a charity dinner. Several threads are tied up neatly and in encouraging ways, and Bernadette, who likes everyone to be happy, has a surprise for them all. 

Afterwards we watched the ‘making of’ documentary which is an ‘extra’ on our DVD. We also saw the deleted scenes, most of which were quite interesting, but wouldn’t have added anything much to the story.

Definitely recommended if you like books and enjoy character-based films.

Review copyright 2025 Sue's DVD Reviews

The Good Place (Series 1-4, complete)

(Amazon UK link)

We had never heard of ‘The good place’, but our son and his wife thoroughly enjoyed watching it last year.. So they sent us blu-rays of the complete series for Christmas, and we started watching on 10th January after finishing the similarly titled (but VERY different!) box series of ‘The Good life’.

We watched three episodes of series one the first evening, with no idea what to expect. We first meet Eleanor (Kristen Bell), who is in an office talking to an older, pleasant-looking man called Michael (Ted Danson), who says he is the ‘architect’ of the neighbourhood. He tells her that she died in a supermarket car park accident, and that she’s now in ‘The Good Place’.  Most people, he explains, are in the ‘bad place’. He says all religions are about ten per cent correct in their beliefs in what happens in the afterlife.

Eleanor is taken to a small, quirky house in her new neighbourhood, though she’s a bit miffed to see that others around have enormous mansions. And she’s told that she has a soul mate - Chidi (William Jackson Harper) - who is a likeable, if somewhat wordy academic. There are introductions to the ‘good place’ made by Michael, and Eleanor gets to know her neighbour, a rather condescending and glamorous tall woman called Tahani (Jameela Jamil) with a slightly fake-sounding upper-class British accent.

However, Eleanor does not think she should be in the good place. We get regular flashbacks to her life, where it’s clear that she was extremely selfish and somewhat manipulative. But Chidi hopes to make her nicer, and a tentative friendship begins with Tahani and her rather flaky soulmate Jason (Manny Jacinto), supposedly a buddhist monk with a vow of silence. 

The neighbourhood is enhanced by Janet (D'Arcy Carden), a humanoid computer who knows everything, and appears when anyone asks her to. She is able to advise, and to keep secrets, and when ‘killed’ will reboot to a more advanced version. We were very impressed with the actress who plays Janet. She not only plays herself, in different iterations but other very different Janets from other neighbourhoods. 

We continued watching two or three episodes each week; at first we were slightly bemused by the strange ethos, and the somewhat exaggerated acting. But it became oddly compulsive, and we were more and more intrigued as to what was going to happen. 

Strange things start to happen in the neighbourhood - sometimes very bizarre things at times. While Michael says he’s going to take the blame, Eleanor starts to take responsibility for her own actions. There are discussions about whether she should be sent to the ‘bad place’... and then a surprising twist at the end of series one. 

Series Two includes the same characters, now ‘rebooted’. That means they have forgotten everything that happened in Series One, and are starting over. With a few changes that are obvious to the viewer. And, again, it’s quickly compulsive viewing. We realised what a good actor Michael is, too; he is able to portray, with facial expressions and voice, different sides of his personality, depending on who he is talking to.  

The action is quite rapid, with some humour and conversation that’s surprisingly thought-provoking. Chidi embarks, once again (and again…) on a course in ethics in the hope of making other characters nicer. The script writers were very creative: after the first couple of episodes in this series we wondered if others were going to be similar, but each one has its own focus, with new adventures, discussions and twists.

During the course of the series these six main characters get to know each other better, and bond quite strongly, even after rebooting. They are courageous and increasingly caring, even when forced to be in the ‘Bad Place’, or - surprisingly - back on earth. We kept wondering what else could happen, only to be pleasantly surprised at yet another unexpected episode.

There are plenty of minor characters, some of them appearing in almost half the episodes, but the main six carry it through with their different and yet complementary personalities and actions. We started to become quite fond of them all. 

There’s some humour, some parts that are quite moving. Then, in the final episode of the fourth series, there’s a bittersweet ending which, once again, was unexpected. But it works well. It’s taken us four and a half months to finish watching the series, and I will miss it!

There’s very little actual bad language, although a lot is implied; in the ‘good place’ planned swear words emerge as innocent words, as, for instance, ‘fork’. There’s also no nudity or scenes of intimacy, although much is implied and there are a lot of references to genitalia in later episodes. It’s not a series for children; the rating is 12 for three series, and 15 for the fourth, and I think that’s about right.

The theology isn’t in line with Christian beliefs about the afterlife - or, indeed, those of any other religion - but the philosophy and discussions are both interesting and thought-provoking. 

Recommended, if you would like something light, amusing and yet oddly moving.

There are no extras on our blu-ray series. 

Review copyright 2025 Sue's DVD Reviews

Three to tango (Matthew Perry)

(Amazon UK link)

I had never heard of the 1999 film ‘Three to tango’. But I saw it inexpensively in a charity shop, and thought it sounded interesting, as well as a bit different. We decided to watch it last night. 

The story begins with two rival companies hoping to land a lucrative building contract. The person making the decision is a wealthy, powerful man called Charles (Dylan McDermott). And Charles, we soon learn, has a mistress as well as a wife. Neve Campbell is excellent as Amy, who is well aware of the existence of the wife. And she is still friendly with a lot of other men with whom, it’s implied, she has previously had romantic entanglements.

Each of the two rival architectural companies has two representatives. The first ones are arrogant, convinced they will succeed. The other two are Oscar (Matthew Perry) and Peter (Oliver Platt). They seem somewhat mismatched; Oscar has Scandinavian roots and is quite a womaniser, although he isn’t currently in a relationship. He’s also something of a klutz, forever tripping over or knocking things down. Peter, by contrast, is suave, confident, and also gay. 

The two are good friends, but Charles’ secretary assumes that they are partners in more than one sense. And an amusing conversation between Charles and Oscar leaves Charles with believing that it’s Oscar who is gay, rather than Peter. And since he’s quite a jealous sort, he asks Oscar to keep an eye on Amy at an upcoming exhibition of her glass-blowing artwork. Charles is unable to be there, but he knows that some of his rivals for her affection may well be present.

The film is essentially a comedy of manners, and it’s very well done. Oscar can’t persuade Charles that he is straight, and he also becomes increasingly attracted to Amy. She is very happy to have a male friend whom she believes is not interested in her, and she shares details about her life that she has never mentioned to anyone else. 

The point is made, more than once, that each individual is unique and that people should be treated as individuals, rather than grouped based on their sexuality or gender. Oscar makes an impassioned speech to a reporter, trying to say that builders should be judged on their building proposals and work, and that being gay - or straight - should not be relevant. Unfortunately this leads to front-page headlines which upset his father, and surprise his mother… and which lead to him being asked to accept an award which he has no right to…

It could have been a bit sordid, but it manages to steer clear of that. Oscar is a very likeable man, caught up in the deception, and falling more and more for Amy. He starts to see how women are sometimes objectified, and there’s a great scene where he chats to Amy and her friends about unwanted attention from random strangers. It makes the point extremely well.

Naturally, since it’s a light-hearted film, there are some caricatured characters, who add to the humour. We didn’t laugh aloud, but there are some cleverly choreographed scenes and some amusing one-liners that made us smile. And there’s some poignancy, too.  

The acting is good, and there’s a lot of great musical background which we thought blended in extremely well. We loved the opening title sequence, which was very well done, and I thought Oscar, in particular, was excellent in his characterisation and facial expressions, as well as his general clumsiness. 

All in all, we liked the film very much. It’s rated 12, which reflects the lack of anything explicit. There’s some minor violence (in the form of punches), and some semi-nudity, but nothing that would merit a higher rating. There are some instances of bad language, including one instance of ‘strong’ language, but it wasn’t excessive. And while much of the theme revolves around sexuality, it’s all tastefully done. I can’t imagine it would be of any interest to children or teens anyway, but for broad-minded adults, I would recommend this. 

Review copyright 2025 Sue's DVD Reviews