05 June 2024

Matilda (Mara Wilson)

Matilda with Mara Wilson
(Amazon UK link)
We were both feeling a bit tired yesterday evening. We wanted to watch a film that was light, undemanding and not too long. We realised that although we had owned the film of ‘Matilda’, based on Roald Dahl’s book for children with the same title, we had never seen it. So that’s what we chose. 

‘Matilda’, made in 1996, stars Mara Wilson in the title role. She was nine at the time, and clearly already an accomplished and confident actor. I knew the outline of the story, which I read more than once when my sons were small, but I hadn’t remembered the details. And the film, inevitably, has a more visual approach than the book. It’s also set in the United States rather than the UK, with American accents rather than British ones. But although that disturbed me slightly at first, I quickly got used to it. 

So it starts with Matilda’s dreadful parents, Mr and Mrs Wormwood. They are brilliantly played by Danny DeVito and Rhea Pearlman (who was his wife in reality as well as in this film). They are caricatured slobs, in the best Roald Dahl style. Mr Wormwood is a used car salesman who buys stolen car parts and cheats his customers. Mrs Wormwood uses a lot of makeup and dyes her hair, and spends her afternoons playing bingo. 

Matilda has an older brother, Michael, who is likely to follow in his father’s footsteps. But her parents have no interest in her. And the film shows this: Mr Wormwood wonders if he can send her back after she’s born, and basically ignores her. She’s left home alone from a very young age, and quickly becomes self-sufficient. We see a younger Matilda dressing herself at age two, teaching herself to read all the family’s magazines at age three, and then daring to ask her father for a book to read when she is four.

When this is refused, the action moves to the library, and eventually she starts school. She has a lovely class teacher, Miss Honey (Embeth Davidtz).  But the school headmistress is the dreadful villain Miss Trunchbull (Pam Ferris), who terrorises the children, and makes examples of any who dare to stray outside her strict rules. She’s a former athlete who thinks nothing of throwing a child around by their hair and out of the window…

If it were taken seriously this would be a terrible catalogue of abuse. But the action is so exaggerated, Miss Trunchbull so horrendously caricatured, that it feels like fantasy rather than reality. and Pam Ferris plays the part to perfection (or whatever is the unpleasant equivalent). As one of the children comments, they can’t complain because their parents would not believe that a school head could be so appalling.

Matilda is highly intelligent, already reading Charles Dickens and other classics, and doing complex arithmetic in her head. And she also realises that when anyone gets angry with her, she has strange magical powers that can move objects. At first this happens a bit randomly but she manages to train it. 

The acting from the villains is all overdone, but then that’s the way Dahl’s books work. Danny DeVito is the director as well as playing Mr Wormwood, and he sticks pretty closely to the story.  I read the book this morning to see just how close it was. There are a few changes made, which probably work better from the point of visual continuity. There are some extra scenes in the film, too, such as a delightful sequence where Matilda dances in her living room as she moves blinds, pictures and other objects without touching them. 

There’s also a lengthy sequence when Matilda and Miss Honey venture inside Miss Trunchbull’s house. It’s entirely in Roald Dahl’s style and fits well with the overall story, adding some action and tension, and also some humour. And there are scenes in Mr Turnbull’s garage, whereas the book just describes him talking to his son about what he does. I thought it a very good balance of following the book closely and adding in new scenes that demonstrate people’s characters or behaviours in ways that wouldn’t work in a book.

We were engrossed in the story right from the start, and even though I knew it would end satisfactorily, there are some quite stressful moments. The images of Miss Trunchbull glaring at children, her face distorted close to the camera, demonstrate brilliantly how the children might have seen her. 

The rating for this film is PG, which makes sense. Most children would probably find it funny, with Miss Trunchbull taking the place of a vicious dragon or other monster of fantasy stories. But some might find her disturbing, particularly her worst punishment - the ‘chokey’ - and others might be upset at the way Matilda’s parents are so neglectful. So parental guidance is recommended; ideally a parent should watch this with a sensitive or young child seeing it for the first time. 

But with that proviso, I would definitely recommend it.  Particularly for children who have enjoyed the book. 

Our DVD came with a few ‘extras’, which surprised us.  One required re-watching the film to be able to see how the 'magic' scenes were made, and we did see a few of those, which were quite interesting, but we didn't want to see it all again. One 'extra' was an ironic and mildly amusing list of etiquette rules, illustrated (or not!) by snippets from the film. 

Another of the extras was about libraries, perhaps for children who weren't familiar with them. Oddly, the librarian was portrayed as rather a scary-looking woman with bright red lips and a face that came too close to the camera, almost like Miss Trunchbull, though clearly the librarian was a likeable person.  And the final extra that we watched was a rather wobbly video made by Mara Wilson herself. 

Review copyright 2024 Sue's DVD Reviews

03 June 2024

Doctor Who 60th Anniversary Specials (David Tennant)

Doctor Who 60th Anniversary Specials with David Tennant
(Amazon UK link)
I had been looking forward for a while to seeing the Doctor Who 60th anniversary special episodes. I knew - from social media - that the tenth Doctor, David Tennant, was returning for these three episodes. He was my favourite of the ‘new’ series Doctor Who. 

When I heard that Donna (Catherine Tate) was also returning, I was intrigued to know how this was possible. The last time we saw Donna, her memory was altered so she would not remember any of her travels with the Doctor. The alternative was for her to die…

Jodie Whittaker’s 13th Doctor regenerated into David Tennant’s 14th Doctor at the end of the 2022 specials, which we watched in May. I know this was a  surprise when it was first broadcast, since Ncuti Gatwa had been announced as the next Doctor. But since we are not in the UK, we had to wait for the DVDs. So we knew this would happen. 

The 60th Anniversary set contains three DVDs. Each one holds one episode of about an hour, plus a lot of feature ‘specials’. We watched one per week; we didn’t manage all the extra features, but very much appreciated the insights into the production of the show that we saw in the first ones on each disc. 

The Star Beast

The first episode, ‘The Star Beast’, sees the 14th Doctor landing in the UK in the 21st century, only to come across Donna. He tries to hide from her, not wanting to trigger any memories, but inevitably they end up in her house after a spaceship crashes nearby. Years have passed since he last saw her, and she now has a husband and teenage daughter Rose. Rose is clearly very bright, and creative. She meets an alien called The Meep, who reminded me a bit of ET at first…

It’s an exciting story with plenty of twists and turns. There’s fast action at times, but to my surprise I followed the story without problems. In some of the previous episodes, I found the storylines confusing, and had to turn away at some of the shooting scenes. But ‘The Star Beast’ held me captivated, and felt as if it had more of an interesting story than some of the recent series. 

I also loved the way that David Tennant, who is such a great actor, seemed to be channelling some of the quirks and energy that Jodie Whittaker portrayed in her incarnation.  

Wild Blue Yonder

The second episode, ‘Wild Blue Yonder’, sees the tardis out of control, taking the Doctor and Donna to the edge of the universe and then abandoning them in what is apparently an empty spaceship. There’s a cute, if rather rusty robot, taking very slow steps in a long corridor. The Doctor tries to figure out what is going on, and it’s quickly clear that there are imperfect copies of both The Doctor and Donna in scenes that are both amusing and rather creepy.

In contrast to the first episode of specials, The Doctor and Donna (and their copies) are the only characters involved and the entire story takes place inside the unknown spaceship. It was fascinating learning how it was created on the first of the features on this DVD. Once again, this is a tense episode, but, as with the first one, I had no trouble following it. I appreciated the asides and conversations that happened, as well as the story itself. 

At the end of the second episode, the tardis manages to return to the UK. They are met by a very frail Wilf, Donna’s grandfather, in what turned out to be the actor Bernard Cribbins’ last appearance. He assures them that the rest of Donna’s family are safe, and asks for help as the world seems to be ending…

The Giggle

The third and final 2023 special, ‘The Giggle’, follows on from that. Life is in chaos because everybody suddenly thinks they are right about everything. Drivers stop obeying traffic laws, pedestrians believe they have the right to walk down the street, people say exactly what they think and want without any filters. Alongside this, we’re taken back to 1925 where a young man buys a puppet from a strange shopkeeper with a fake German accent, who is clearly not who he appears to be. Neil Patrick Harris is superb as The Toymaker, and plays a major part in this episode.

Once again this is an episode with a lot of story; there’s a bit of history involving John Logie Baird and the beginnings of television and a clever plot that, while rather far-fetched, was also straightforward enough for me to follow it. And at the end, while I was sure that Ncuti Gatwa would eventually appear, I was surprised - and pleased - to find that even the regeneration had a twist.

I expected to like these three episodes because of David Tennant and Catherine Tate, and they certainly provided superb leads. It was an unexpected bonus to have such good and memorable stories. They are excellent anniversary specials and I’m so pleased that we finally managed to see them.

We have now caught up, as far as is possible, since the next series is still being broadcast. And ‘The Giggle’ ends with an entirely satisfactory scene which, for me, made it feel almost as if this was the end. I know it isn’t, and that we will, no doubt, continue to acquire further DVDs of Doctor Who. But we’ve decided that, before we do, we’ll re-watch all the ‘new’ series from 2005 onwards.  That’s 150 episodes in all, so if we only watch one per week it will take us three years.

The 60th Anniversary DVD set is excellent, one of my favourites so far. Each episode is complete in itself, but with so much backstory referred to that it would be very confusing to anyone who has not seen at least some of the earlier episodes involving the Tenth Doctor and Donna.

Definitely recommended to anyone who is a fan of Doctor Who.

Review copyright 2024 Sue's DVD Reviews