New Year's Eve (2011 film)

(Amazon UK link)

We had not heard of the 2011 film ‘New Year’s Eve’; but when I spotted it on special offer (two DVDs for a pound) in a UK charity shop earlier in the year, it wasn’t a difficult decision to buy it. There are some faces and names which even I recognised on the front, and it was directed by Garry Marshall. I don’t usually have any clue who directed a film, but his name has come up on several we have seen in the past few years, often in conjunction with ‘extras’. 

We decided we would watch the film around New Year, to make it somewhat seasonal - and since we had a free evening on December 30th, that’s when we saw it. I had seen some reviews suggesting that it was considered rambling with not much plot. I also saw that it had was considered the worst film of the year by some critics… so we weren’t expecting a whole lot. But a light ‘rom-com’, even if not particularly well-made or amusing, was what we were looking for. 

There’s no ‘main’ character (or characters) in this film, and it’s true that there’s no real plot. It has a large cast and several concurrent storylines, all taking place on New Year’s Eve at the end of 2011. It’s set in New York, and sees a lot of people converging on Times Square. I had heard of the ‘ball drop’ ceremony but had never been sure what it involves. I’m still not sure why it’s such a big deal in New York, but evidently it’s traditional. I also learned that midnight is considered a time for first kisses. 

Doctor Who series five (Matt Smith)

(Amazon UK link)

We finished watching the 2009 Doctor Who specials in the middle of October. They were the last ones showing David Tennant as the tenth doctor. In the final episode, he regenerates into Matt Smith - as we knew would happen.

So it was then time to embark on Series Five, which was first broadcast in 2010. We watched the series (on DVD) in 2013. The only thing I could remember from the first episode, ‘The eleventh hour’, was that the newly regenerated 11th Doctor had some strange food requirements. 

I had quite forgotten that the episode begins with a crashed tardis, on fire, followed by the Doctor climbing out looking dirty and tattered, and meeting the young Amelia Pond. Caitlin Blackwood is excellent in this part, though Amelia is evidently not au fait with ‘stranger danger’. She invites the Doctor in to investigate a crack in her wall, from which she has been hearing some strange voices…

It’s an exciting episode, cleverly done, and shows that Matt Smith is well suited to the role of Doctor. Amy Pond (Karen Gillen) is somehow persuaded to travel with him at the end.

The Bishop's Wife (Cary Grant, Loretta Young)

(Amazon UK link)

It’s six years since we saw the classic 1940s black-and-white Christmas film ‘The Bishop’s wife’. We had recalled the basic outline - that an angel in human form is sent to help a bishop and his wife - but had forgotten all the details. So we decided to watch it again. 

I did remember the opening scenes: a smiling man (Cary Grant) is wandering through a busy town, where lots of people are busy Christmas shopping, or admiring displays in shop windows. Three or four potentially dangerous or tragic incidents are averted at the last moment by this character’s quick reactions - and possibly by what seems to be a little magic. Or maybe a miracle. 

Then he discovers that Julia (Loretta Young), the wife of the local bishop, is feeling sad. She has all she could want materially, and a lovely young daughter. But she feels as if her husband has grown away from her, and that his work is more important than she is. And her daughter is usually looked after by her nanny. 

Dad's Army series 3

(Amazon UK link)

In the early part of 2024, we spent a couple of months watching the first two series of the classic ‘Dad’s Army’ TV series that we recalled from childhood. I was surprised at how enjoyable the show was, despite seeming very dated in some of the production style. So I ordered a few more of the series, sent to relatives in the UK, to collect in the summer.

In the meantime we started watching other light TV series. It took until towards the end of October 2025 to decide to watch Dad’s Army series 3. Unlike the first two series, it’s in colour, although it doesn’t feel all that different from the earlier, black-and-white episodes. Series 3 was broadcast in 1969, when - as far as I remember - we only had a black-and-white television anyway. My father loved this show, and I used to watch it with him. 

However, although I must have seen at least some of these, I didn’t remember any of them. I evidently didn’t see them on one of the many reruns. I was surprised, since the episodes from the first series felt quite familiar. Evidently it had become popular enough to run for longer by 1969, since Series three has 143 episodes, enough for a full quarter’s season. 

Serendipity (John Cusack, Kate Beckinsale)

(Amazon UK link)

It’s not quite six years since we last watched the film ‘Serendipity’. However we don’t have a huge number of Christmas films, so they come around more often than our others. We vaguely remembered the story, but had forgotten most of the details.

While it’s not a traditional Christmas film, it starts (and finishes) in a well-decorated store in the run-up to Christmas. Kate Beckinsale is perfect as Sara, a young woman who wants to buy some black gloves. At the same moment, Jonathan (John Cusack) tries to take hold of them, as a present for his girlfriend. The two start by both claiming them, then insisting that the other have them - it feels quite believable, and shows their very likeable personalities right at the start.

Eventually Sara buys them, and agrees to treat Jonathan to some iced chocolate. They have a lot to talk about, and he is clearly very attracted to her; but they are both in other relationships. They part… and then for different reasons, bump into each other again, and decide to go ice skating…

White Christmas (Bing Crosby, Danny Kaye)

(Amazon UK link)

Nearly two years ago, we were given several early classic DVDs by a friend who was downsizing. We’ve watched several of them, but had put aside ‘White Christmas’ for the festive season. So we finally decided to watch it. We knew the theme song, of course; but as far as we recall, neither of us had any idea what the film was about. 

We did know that Bing Crosby was one of the stars; we had not realised that Danny Kaye was the other main male lead. The two work together extremely well in this film, with Danny Kaye demonstrating his sense of humour and excellent comic timing more than once. 

The film opens in an army camp on Christmas Eve during World War II when a concert is happening. Bob (Bing Crosby) is clearly an experienced entertainer, and Phil (Danny Kaye) is a new recruit. Their major-general (Dean Jagger) is retiring, and is clearly beloved by the whole troop. We see some of the concert before bombing begins, and Phil manages to drag Bob away from a falling wall. 

A boy called Christmas (Henry Lawfull)

(Amazon UK link)

We usually like watching Christmas films during December, and I’m always interested in recommendations for films we haven’t previously seen. I expect the reason I came across the 2021 film ‘A boy called Christmas’ at some point last year is that Maggie Smith was in it. I probably heard of it around the time she died in the Autumn of 2024. I put it on my wishlist, and was given it for Christmas last year.

However, we didn’t get the opportunity to watch any films in the last week of December 2024, and by January had decided we would return to non-Christmas films.  And now, nearly a year later, we finally sat down to watch it. I had entirely forgotten any descriptions or blurb that I might have read, so we had no idea what to expect.

The film opens with the elderly Aunt Ruth (a typical Maggie Smith character) walking through a snowy street to a house where she is going to be babysitting. There are three children, and their father has to go out to do some important work. Their mother died just a few months earlier, and they have decided not to celebrate Christmas at all this year. Only the youngest acknowledges that he’s still grieving.

Ballet Shoes (Emma Watson, Yasmin Paige, Lucy Boynton)

(Amazon UK link)

It’s fifteen years since we watched the 2007 film ‘Ballet Shoes’ (originally made for television). I know the story well - it’s adapted from Noel Streatfeild’s best-known book, also called 'Ballet Shoes'. But my husband had almost entirely forgotten the plot. It seemed like a pleasant evening’s light viewing. Although the book was originally written for older children, the author wrote crossover books before the concept was popularised, and I like them just as much as an adult as I did as a child.

The beginning of the film introduces the young Sylvia, who is taken to live with her great-uncle Matthew (known as GUM) when her parents are killed. GUM is a delightfully grumpy (but benevolent) man who grows believably older each time we see him; he’s extremely well played by Richard Griffiths, who is probably best-known as the obnoxious Vernon Dursley in the ‘Harry Potter’ series. Sylvia is accompanied by her nanny, known to all as Nana, perfectly portrayed by Victoria Wood. 

Stuck in love (Greg Kinnear)

(Amazon UK link)

We first watched the DVD of the 2012 film ‘Stuck in love’ in 2015. Neither of us had any memory of it, either before deciding to rewatch, or during the film itself. And during the first twenty minutes or so, I wondered why we had kept it - it didn’t seem either romantic or humorous, but rather sordid and depressing.

Greg Kinnear plays the main character, and is excellent as the middle-aged divorced Bill. He is a writer, and has two teenage children. Samantha (Lily Collins) is at university, and is a writer too. Bill’s son Rusty (Nat Wolff) is still at High School and must be about fifteen or sixteen. We first meet them at a Thanksgiving meal which Bill is hosting. He’s set the table for four, and while his children roll their eyes a bit, he is adamant that their mother will return despite her having left him three years earlier.

Rusty then goes to see his mother Erica (Jennifer Connelly) and her new partner. It’s clear that she and Samantha are estranged - Sam refuses to speak to her mother, blaming her for everything. Bill is obsessed with Erica, sometimes sneaking around her house and peeping in windows. 

The decoy bride (Kelly Macdonald)

(Amazon UK link)

It’s over ten years since we first watched the 2011 film ‘The decoy bride’, and we had entirely forgotten the storyline. We wanted something light and possibly amusing to watch, so decided this would probably be a good choice.

The story opens with the press gathered, cameras and microphones ready, at the door of a large hotel. Out comes someone dressed in white, with a veil covering her head. We - and the press - assume she’s the bride they are waiting for. Then someone else emerges, also with a veil covering her head, albeit not in white. And then someone else…

It’s clear that there’s a major society wedding about to take place, and that the happy couple are trying to avoid the press. This is probably a vain hope, since the bride is a famous and very beautiful actress called Lara (Alice Eve). There has been much speculation about who she might marry on the front covers of magazines. But she’s finally made her choice in James (David Tennant) who is a writer with a recent publishing success, a kind of travel guide to some of the Hebridean islands.

Unfortunately the wedding is halted when an intrusive member of the press is found hiding. Marco (Frederico Castellucio) has been stalking Lara, and somehow manages to find out where she is, no matter where she hides. Not that she’s in any danger from him, but she is fed up of his persistence. 

The love punch (Emma Thompson)

(Amazon UK link)

It’s ten years since we watched the 2013 film ‘The love punch’. Neither of us could recall anything about it, and we wanted something light to watch. So we decided on this film, noting that all four of the main cast were people we knew of. We’re not generally very aware of a lot of famous actors, so this was unusual.

Emma Thompson is wonderful as the middle-aged divorced Kate. We see her at a wedding, bumping into her ex-husband Richard (Pierce Brosnan). It’s clear that they still have things in common, but they can’t seem to exchange more than a couple of sentences without being unpleasant to each other. Emma Thompson has a gift of becoming the person she is playing - and I thoroughly enjoyed her role. 

Pierce Brosnan doesn’t seem to be quite as versatile; while the role of Richard is different from his best-known James Bond, there’s still a fair bit in common with the two. He looks and sounds like himself; not that it’s a problem, since his character fits very well with that of the businessman Richard. 

Shakespeare Retold (2005)

(Amazon UK link)

Many years ago, at a charity fair, I bought a DVD called ‘Shakespeare retold’. We’ve quite enjoyed productions of Shakespeare plays over the years, both live ones, and adaptations on film, such as ‘Twelfth Night’ and ‘Midsummer night’s dream’; both those are set in the 19th century rather than the 16th, but otherwise are true to the originals, using the same text.

What we hadn’t realised is that this BBC series consists of modernised stories, based very loosely on Shakespeare’s originals. So there’s almost none of the 17th century dialogue, although names of some of the characters are the same or similar to those used by Shakespeare.

The first one we watched one evening when we wanted something reasonably light, and not too long. It’s based on the play ‘Much ado about nothing’, which neither of us was very familiar with. It’s set in a TV news studio, primarily. The main characters, as in Shakespeare’s original, are called Beatrice (Sarah Parish) and Benedick (Damian Lewis). They have some history, as is clear from a brief opening sequence, and the director has decided to reunite them on screen as news anchors after someone else loses his job. 

Doctor Who, the complete specials 2008-2010 (David Tennant)

(Amazon UK link)

We finished watching Doctor Who series four at the end of July, just before going away for most of August. After returning, I remembered that before series five there was a series of ‘specials’, in the course of which David Tennant would regenerate into Matt Smith. We saw these in 2013, but I hadn’t remembered anything about them.

The first episode, ‘The next doctor’, was the Christmas special for December 2008. I assume that the title was deliberately misleading, since this is not the episode in which the Doctor regenerates. It’s set in Victorian England, in a Dickensian environment with children in workhouses. We see a formal funeral with men only, in top hats and black suits. There’s also a ‘scarlet woman’ (assumed) - a beautiful woman dressed in red who shocks the men in black, and who is in league with the Cybermen. 

Oh, and there’s also a man who insists that he is the Doctor. He has a sonic screwdriver, sort of, and has created a rather unusual tardis. He has an assistant, the feisty, courageous Rosita, and he has clearly done several Doctor-like things. He knows all about cybermen, too… but his memories are very confused, and he doesn’t remember much at all, other than the most recent events. 

The second episode, ‘The world of the dead’, is set primarily in a huge desert, supposedly a different world. It starts with a dramatic ‘mission impossible’ style scene, watching a masked woman commit an ingenious crime. She runs from the police and boards a bus, where she meets the Doctor. There’s a fast police chase and a tunnel is blockaded… but the bus leaps through a ‘wormhole’ into this other world. 

Most of the story is about trying to figure out what has happened, and - more importantly - how to get back. Michelle Ryan is excellent as Lady Christina, who proves to be highly intelligent and almost a match for The Doctor. When we watched the ‘confidential’ extra on the same DVD, there was discussion about whether she might have made a good companion. But, it was explained, as David Tennant’s role as the 10th Doctor was coming to an end, he wasn’t taking on any new companions. There’s some humour in this episode, and in the ‘extra’ too. 

The third episode, ‘The waters of Mars’ is in stark contrast, despite it also taking place on another world. The Doctor arrives looking cheerful; he has no expectations of anything other than a friendly visit. He quickly discovers that the people living in the space station there are the first settlers in Mars, people whose names he knows well. The year is just 2059. When he learns the date, he becomes rather unsettled, insisting he should go.

Some of the filming is done in the style of a horror movie, with tense moments and music before a ‘monster’ is revealed… I found myself hiding my face in my hands more than once. I found it really quite scary as a story. But it was also interesting theoretically because the Doctor insists that an imminent disaster is fixed in the history of time, and there’s nothing he can do about it. This clearly stresses him… 

There are some scenes later in the book which demonstrate, once again, David Tennant’s superb acting ability. His acceptance of his role reaches its limit, and he decides to do something that he knows is wrong, against the laws of time. He is the last of the time lords, so he decides that he’s in charge - and the usually friendly doctor becomes arrogant and appears angry. 

The specials end with a two-part episode, ‘The end of time’.  These were apparently broadcast on Christmas Day 2009 and New Year’s Day 2010. That would account for Christmas decorations being in evidence on the first part, and mention of the new year in the second. But they’re not typical ‘holiday’ episodes. Instead, they’re a dramatic end to David Tennant’s role as the 10th doctor.

In part one of ‘The end of time’, the Master is resurrected, in a somewhat bizarre and disturbing form. He has extra powers, but sometimes he appears as a skull. He is excessively hungry, attacking food in a rather gross and very greedy way; it’s implied that he also eats people if he can’t get other food. 

What I liked best about these episodes is that the Doctor reunites with Wilf (Bernard Cribbins) who turns out to be a very significant person. I love his sense of humour and the joking friendship he has with the Doctor. It was also nice to see Donna, although it was essential she should not remember anything about her travels. 

I’m not sure I entirely followed the storyline, which includes a ‘gate’ (supposedly harmless) which the Master reprograms. It also includes episodes showing the Time Lords, who were supposedly lost permanently in the time vortex. Timothy Dalton is excellent as their leader. The episode ends with the Master changing everyone on earth (with a couple of exceptions) into clones of himself.  

Part two of ‘The end of time’ is faster-paced with a lot of chase scenes and a storyline that becomes increasingly more confusing. The Doctor and Wilf are rescued, and we learn that the Time Lords are responsible for the constant beat in the Master’s head, which is driving him crazy. 

One has to put aside any kind of logic with this show, and accept that the progression of time is - as the Doctor said once - a ‘big ball of wibbly-wobbly, timey-wimey stuff’. So the world - indeed the entire universe, and time itself - are due to end. But, obviously, they don’t. I didn’t follow the processes, but it’s all very well done even if I had to hide my eyes a few times, when the action became too fast.

At the end, it’s clear that the Doctor is going to regenerate - it’s no surprise as he’s been expecting it since the end of Series Four. He keeps going longer than would be expected, surviving several near-death experiences. And I particularly liked what he called his ‘reward’ - revisiting former companions and loved ones, seeing how they were doing. 

David Tennant is a great actor, and never more so than this final episode when we see him in many different moods. He is angry and also grieving about the fact that regeneration is not just like changing skin. It’s the end of his personality, even if in another sense he will continue living. 

Each DVD of this box set features just one episode of about an hour, and a good number of ‘extras’. We thoroughly enjoyed watching the Doctor Who confidential documentaries, a few deleted scenes, and other random extra features. 

Highly recommended if you like watching Doctor Who, and particularly if the tenth doctor is one of your favourites.  The rating for most of these is PG which reflects the lack of any nudity, sexual content or 'strong' language. But there's inevitably a lot of tension and some violence, so it's not recommended for a sensitive child. I don't think I'd want to show it to children under the age of about ten or eleven, even though, back in the 1960s and 1970s, Doctor Who was billed as a children's TV programme.

Review copyright 2025 Sue's DVD Reviews

Mother's Day (Jennifer Aniston)

(Amazon UK link)

Another new (to us) film is ‘Mother’s Day’ which we bought for 50 pence in the UK this summer. It was made in 2016 and we had not heard of it; but three of the main actors are well-known: Jennifer Aniston, Julia Roberts, and Kate Hudson. 

The first few scenes introduce a lot of different people, and I found myself somewhat bewildered for the first twenty minutes or so. It wasn’t clear who, if anyone, was the ‘main’ character, nor what the plot was about. It was evidently all pointing towards a celebration of the US holiday ‘Mother’s Day’ (which is in May) and that turns out to be the tentative thread connecting the various groups.

Jennifer Aniston is excellent as Sandy, a woman with two sons. She is divorced from Henry, but they’re still quite amicable… until she learns that he’s married a much younger woman. And this younger woman is surprisingly good with their sons. Her jealousy and anger are sometimes a tad exaggerated, but this film isn't intended to be taken too seriously. 

My family and other animals (Darren Redmayne)

(Amazon UK link)

Many years ago, it was inexpensive and reliable to buy DVDs from online UK shops to send to Cyprus. I browsed the sites regularly, and bought quite a few classic films at excellent prices. We introduced our sons to some of our favourites from the 1980s, and bought some TV series on DVD too. 

But I hadn’t realised, when I bought it, that ‘My family and other animals’ was a BBC series rather than a single film. So for various reasons, we hadn’t seen it. I loved the book, which I first read when I was about twelve, and most recently in 2006. 

The story is well-known, based on what actually happened. Gerald Durrell and his family moved to Corfu when Gerry was twelve. He was passionate about animals of all kinds, and brought many of them home. His mother was mostly calm and long-suffering, and dealt not just with Gerry’s increasing menagerie, but with the foibles and demands of her older three offspring. Larry wanted peace and quiet to type, Leslie kept shooting things, and Margo liked to sunbathe and go out with a series of unsuitable men. The book has a nice balance of amusing family situations, and Gerald’s discoveries and acquisitions. 

How to lose a guy in 10 days (Kate Hudson, Matthew McConaughey)

(Amazon UK link)

‘How to lose a guy in ten days’ is the film on a DVD we picked up for 50p in a charity shop in the UK earlier this year. It was made in 2003. We had no idea what to expect, but we usually like light romantic comedies. So we decided to watch it last night.

Andie (Kate Hudson) works for a women’s gossip magazine called ‘Composure’ (evidently intended to be a spoof on another well-known magazine that starts with the same two letters). She writes ‘how to…’ articles, but really wants to focus on more serious issues such as politics or the refugee crisis. Her best friend Michelle (Kathryn Hahn) also works there, but has endless relationship issues. Their boss Lana (Bebe Neuwirth) wants someone to write an article based on Michelle’s love-life, and Andie volunteers…

Never been kissed (Drew Barrymore)

(Amazon UK link)

Once again we were tired. So we wanted to watch something light and not too long. We looked through some DVDs which we had not seen in a decade or so, and opted for the 1999 movie ‘Never been kissed’, which we last saw in February 2014.

Drew Barrymore - rather a young Drew Barrymore - stars in this light-hearted romantic comedy. I had entirely forgotten the storyline. Drew plays 25-year-old Josie Geller who has a good job with a newspaper, working as a copy editor. She’s quite pedantic, and evidently very good at what she does. She has her own office, and even an assistant, though he doesn’t seem to be much use. 

But Josie longs to write some stories for the paper. She’s proposed several ideas, most of which have been accepted - and then given to another writer. She’s almost in despair when the paper’s CEO, the rather authoritarian Rigfort (Garry Marshall) announces that their next big scoop is going to be an undercover expose of a high school. And he selects Josie to research and write the story. To do so, she has to pretend to be 17, and enrol in the local school…

The Princess Diaries 2 (Anne Hathaway)

(Amazon UK link)

Towards the end of July, we rewatched the 2001 film ‘The Princess Diaries’, and liked it very much. So last night, wanting something light, we decided to rewatch the 2004 sequel, ‘The princess diaries 2: royal engagement’. We last saw it in 2014, and had only vague memories of the story.

This film starts as Mia (perfectly portrayed by Anne Hathaway) graduates from university. And then, accompanied by the security guard Joe (Hector Elizondo), she flies back to Genovia. As well as studying academically, Mia has been trained to take over as queen, as her grandmother Clarisse (Julie Andrews) wants to retire. 

Genovia is a small, loyal (and imaginary) country. It’s supposedly another European microstate, and royalty is very important, with all the pomp of parades. Mia had been reluctant at first, but now she is looking forward to her coronation. However, she discovers a law that states that she can’t be queen unless she’s married. And she has just one month to find someone…

Little Fockers (Ben Stiller)

(Amazon UK link)

Six months ago we watched the film ‘Meet the Fockers’, which I found inexpensively in a local thrift store. We liked it so much that I ordered (second-hand) the first and third in the series when I was in the UK.  We watched ‘Meet the parents’ last week, and thought it excellent. So we were looking forward to seeing the final film in the trilogy, ‘Little Fockers’, yesterday evening. 

The main characters are the same as in the other two films, and the chemistry between them is as good as ever. Ben Stiller is excellent as Greg Focker, a nurse who has other responsibilities in his hospital. He’s married, now, to Pam (Teri Polo) and they have twins, Samantha and Henry, who are nearly five. Samantha is considerably taller than Henry. Apparently the actress (Daisy Tahan) was eight in 2010 when the film was made, while Colin Baiocchi, who played Henry, was a year younger. 

Meet the parents (Ben Stiller)

(Amazon UK link)

About six months ago, we watched the 2004 film ‘Meet the Fockers’, and found it very enjoyable. When I was reviewing it, I learned that it was a sequel to the 2000 film ‘Meet the parents’. I was making an order from the ‘Worldofbooks’ site, to be collected when I was in the UK in the summer. So I decided to add this film, and the third in the trilogy as well, as both were priced very inexpensively. 

I expected used editions of these DVDs, and was surprised and pleased to find that ‘Meet the parents’ was still shrink-wrapped, either new or as-new. We watched it last night. It wasn’t a problem that we had seen these films in the wrong order, although we had some inkling of what the characters were going to be like.

Ben Stiller is excellent in his role as the slightly hapless and unambitious Greg. He works as a nurse, where he is sometimes mistaken for a doctor. But we only see him in this role at the start of each of the films. He then goes to meet his girlfriend Pam (Teri Polo) in his lunch break. We see her finishing her morning’s teaching in a class of young children, perhaps Kindergarten. She’s evidently a good teacher who cares about all her children and their health and emotional side as well as their academic education. 

Greg is about to propose to Pam, using an unusual visual display when she’s interrupted by a phone call. He discovers that he should ask her father first. And then we see them arriving at her parents’ home, a couple of weeks later, for her sister’s wedding after quite a stressful plane ride where his luggage gets lost.

Pam appears to revert to a young child, swung around in her father (Robert De Niro)’s arms, then greeted by her mother (Blythe Danner) as if she were about six. Greg is introduced almost as an afterthought. And while her parents seem to be welcoming, they are full of suspicion. Her father, in particular, doesn’t think anyone is good enough for his older daughter. He is particularly biased against male nurses, though it’s not clear why. 

Most of the film then takes place over the next couple of days. The action includes part of a wedding rehearsal, a meeting with Pam’s ex fiancé (Owen Wilson), a game of pool volleyball where Greg distinguishes himself in negative ways, and a lost cat. Disaster follows disaster as Greg tries, in vain, to impress his future in-laws. It could have been trite or silly, but the choreography is excellent, the script well-written, and the whole really quite amusing. It’s exaggerated and caricatured, of course, but we didn’t find that a problem. 

I suppose part of the appeal of this film is because many people have some apprehension before meeting the parents of a partner or future spouse. We all want to live up to others’ expectations, and all the more so when they are important to the people we love. Ben Stiller is extremely good in this role, which approaches but never quite reaches slapstick. Robert De Niro is superb, too, as the strict father who, nevertheless, has something of a sense of humour. Perhaps the eventual (and inevitable) reconciliation scene is a tad unlikely, but then so are many of the other scenes. 

This is one of the rare films that succeeds in being a true rom-com: the romance is there with some great chemistry between Greg and Pam. But it’s also full of humour, including places where we laughed aloud. It’s not to be taken seriously, although it makes some good points about honesty and being oneself, rather than trying too hard to impress others. It made a very good evening’s light viewing.

The rating is 12, which is probably about right, in my view. There’s nothing explicit, but many innuendoes and some passionate kisses. There’s one short scene of mild (accidental) violence with quite a bit of blood. There’s discussion about both smoking and marijuana. Then there are a few instances of mild bad language. Also, of course, Greg’s surname (‘Focker’) sounds deliberately like a ‘strong’ word. I don’t think any of these things would actually disturb or corrupt a young child, but since all the actors are adults and the story is about adult relationships, it’s unlikely to be of interest to anyone under 12. 

Review copyright 2025 Sue's DVD Reviews

Doctor Who complete fourth series (David Tennant)

(Amazon UK link)

We finished rewatching series 3 of Doctor Who in early April, and then didn’t watch anything for a couple of weeks while our family visited. Finally, at the end of the month we began series 4, which opens with the Christmas special that was first broadcast in December 2007. 

The title of the special episode is ‘Voyage of the damned’, and it’s over an hour long. We had mostly forgotten it, as we last watched series 4 in 2013. It features an apparently traditional Christmas party on a spaceship which has the unfortunate name of ‘Titanic’. The doctor befriends one of the waitresses, called Astrid (Kylie Minogue in a one-off performance) as strange things start happening.

It didn’t seem particularly Christmassy, other than the opening, but Astrid was well cast, and an excellent assistant to the Doctor (David Tennant in his third series as the tenth Doctor). There’s a lot of fast action and it’s quite sad as well as dramatic. I recognised Geoffrey Palmer as the ship’s captain, and also a cameo role for Bernard Cribbins as Wilf, selling newspapers when some of the group briefly visit London. 

It was a couple of weeks later when we watched the next episode, ‘Partners in crime’. It’s much more light-hearted, and despite its widespread low rating, it’s one of my favourite stories. Donna (Catherine Tate) reappears in this, and there’s quite a bit of situational humour as she and the Doctor keep missing each other, neither aware that the other is nearby. They are both, independently, concerned about a new product designed to reduce fat. 

I wasn’t sure about Donna when we first saw this series, after the excellent Martha. But I very much appreciated the repartee between her and the Doctor this time around. I also recognised that their relationship as platonic friends is rather healthier than that of Rose and Martha, both of whom had major crushes on the Doctor (reciprocated, apparently, in Rose’s case). 

Episode Three is also one which I very much liked seeing again. Donna agrees to travel to somewhere in known history, and the Doctor believes they have landed in ancient Rome. But they’re in Pompeii, on the eve of the eruption of Vesuvius. Peter Capaldi appears in this episode as the Roman Catullus, father of a rebellious teenage son, and a daughter who is being primed to be part of a religious group. Several women can ‘see’ into the future, quite accurately. But none of them are aware of the imminent eruption… 

This episode is very well done, with authentic Roman costumes and sets, and some humour which transpires when Donna tries to use actual Latin words. And the Doctor has to make an almost impossible decision, as well as a more personal one, where he is persuaded by Donna to change history a little bit.

Episode Four is more serious, set far in the future on the planet of the Ood. The Ood seem particularly subservient, yet something is going wrong, as a few of them apparently turn rogue. It’s quite a thought-provoking episode, touching metaphorically on the subject of servants vs slaves, with some fast action and some quite emotive scenes. 

That’s followed by ‘The Sontaran Strategem’, a tense two-part story, which concludes with ‘The poison sky’. Martha Jones (the Doctor’s companion in Series Three) gets in touch with him, wanting a raid on a suspicious factory. It has been supplying a new kind of navigation system, but several people who were using it have died. There’s a storyline alongside this, involving a strict boarding school, supposedly for brilliant people, which is run by a most unpleasant young man called Luke. 

The first part ends with a cliff-hanger so I was glad that we could see the second part immediately afterwards. It’s quite a stressful story, but cleverly done. And I liked the way that Martha came into her own again - and is taken at the end, so that she can have another adventure.

I really liked the next episode, ‘The doctor’s daughter’, where both Donna and Martha travel with the Doctor. His ‘daughter’ is generated from his DNA, and I enjoyed it all the more knowing that this attractive young woman, known as ‘Jenny’, ended up in ‘real life’ as David Tennant’s wife. 

Martha leaves at the end of this episode, which is emotional and poignant, and the next one sees the Doctor and Donna at an upper-class lunch party in the 1920s. One of the guests is Agatha Christie, who at the time has only written a handful of novels, although they’re becoming well-known. It’s an amusing episode, peppered with references to Christie’s novel titles, and - in theory - explains a mystery that has puzzled her fans for decades.

‘Silence in the library’ starts another two-parter, entirely set in a planet-sized library in the 51st century. It’s a bit spooky, and we thought very well done. This is the episode where the Doctor first meets River Song, whose time-line apparently runs in the opposite direction from his. We knew, from having seen this and subsequent series before, who she was; but the story behind her involvement with the Doctor still feels rather bewildering. 

‘Midnight’ is an episode where Donna is lying on a sun-lounger in a luxury hotel, and plays almost no part in the story. The doctor, and a handful of other people, are en route to a visitor attraction known as a sapphire fountain. They’re a mixed bunch of people, some of whom have done the trip before. So nobody expects the shuttle to stop, and a rather scary knocking to begin… 

‘Midnight’ is what became unofficially known as a ‘companion-lite’ episode, since it mainly featured the Doctor without Donna. The following episode, ‘Turn left’, is a ‘doctor-lite’ episode, almost all about Donna. The Doctor appears only briefly at the beginning and the end. 

'Turn left' is something of a surreal episode - even more so than most of this series! - beginning with a palm reader who offers Donna a free reading. She asks for some history about why she started travelling with him, and poses a question: what would have happened if she had turned right, rather than left, on a day when she was going to a job interview. 

The story then has brief cameos of many of the earlier episodes in the series, showing what would have happened if Donna had not rescued the Doctor in ‘The Runaway Bride’, at the start of Series 3. I quite enjoyed the reminders of some of the stories, and the alternative reality that would have taken place if the Doctor had not been around to avert multiple crises. And if that isn’t bizarre enough, the Doctor’s earlier companion Rose, who is in a different universe, keeps appearing to talk to Donna… 

And then there’s a dramatic, exciting two-part ending to this series, episodes 12 and 13. We watched them one after the other, ensuring we had plenty of time. The Doctor and Donna arrive on Earth on what seems like a normal day… and then, a few minutes later, the entire planet has vanished. I’m not sure I entirely followed the plot, but essentially a load of planets from around the universe have been hijacked. This is part of a domination strategy by some of the worst of the classic alien enemies.

I found some of it quite scary, with a bit too much fast action. But what I did like is that these episodes draw together several people from the Doctor’s past. Rose has crossed back from the dimension where she had ended up, Martha is involved too. Jack Harkness gets in on the act, as does Sarah Jane and her teenage son. And there are appearances from Rose’s mother Jackie and her former boyfriend Mickey. And even the former prime minister Harriet Jones has a small but very significant role.

There are a good number of extras in our DVD box set, and we watched most of the ones that shared a DVD with the episodes. They give some good insights into the making of the series, and we particularly enjoyed the one that gave an overview of the first four series of the ‘new’ Doctor Who, and it’s popular revival.

All in all, I liked this series very much. But then David Tennant is unquestionably my favourite of the Doctors, and I very much enjoyed Catherine Tate’s portrayal of Donna, with an entirely platonic relationship. I like, too, the fact that the Doctor develops as a character; he's not just a super-hero who arrives on his tardis to fix everything. He makes mistakes, he has regrets, and he has a sense of humour. There's a lot of poignancy in this series, and a lot of happiness too.

Definitely recommended.  Rated 12, probably due to some of the violence and tense situations. 

Review copyright 2025 Sue's DVD Reviews

Good Omens (David Tennant, Michael Sheen)

(Amazon UK link)

Although it’s twenty-five years since I last read the excellent book ‘Good Omens’ by Terry Pratchett and Neil Gaiman, I remembered that I liked it very much. So when I saw that it had been serialised on film, with David Tennant as one of the main characters, I knew I wanted to see it. It took a while for it to be available, but eventually I put it on my wishlist. I was given a blu-ray edition for Christmas, and we have been watching one episode per week over the past six weeks. 

I was pleased to see that, at least as far as I recall, it was remarkably true to the original. It opens in the garden of Eden; the snake tempts Eve, and she and Adam are cast out. Then we see the demon Crawley (David Tennant) discussing things seriously with the angel Aziraphale (Michael Sheen). Aziraphale has given away his flaming sword, which he uses to guard the garden, and both are wondering if they did the right thing…

The main action moves to the end of the 20th century, and the birth of a baby. Crawley is told to deliver the antichrist to a particular couple; but things go awry, as in the book. Crawley and Aziraphale keep a watch on a normal human boy who mostly ignores them. The actual antichrist is given to another couple who bring him up as an ordinary child. Adam is a likeable boy, on the whole, with leadership skills and three close friends. 

Subsequent episodes backtrack somewhat through history, showing Crawley and Aziraphale meeting each other at significant points - Noah taking the animals on board the ark, for instance. I did feel slightly uncomfortable at a scene portraying Jesus’ crucifixion, which I don’t feel should be treated with even mild humour. But then Crawley asks what he did, to deserve such a terrible punishment, and Aziraphale responds, ‘He told people to be kind to each other’. As a theological statement it’s surprisingly profound. 

There’s another thread involving a woman called Anathema who is the descendant of a witch called Agnes Nutter. Agnes was burned at the stake, but left behind a book of accurate prophecies. These lead to several amusing moments, as things written hundreds of years earlier are oddly appropriate to the modern era.

Over the centuries, Crowley and Aziraphale adapt more and more to human life. And in the era when Adam is growing up in the countryside, Aziraphale owns an antiquarian bookshop. Crowley is more interested in classic cars, which he drives at a breathtaking speed. And while they profess loathing for each other, it’s clear that they have a sort of unwilling friendship.

Everything is moving towards Armageddon, so we also see the horsemen of the apocalypse preparing to ride… and every so often there are placards announcing how near we are to the end of the world…

It’s all very much reminiscent of the book; the only parts I didn’t recall were some forays that Aziraphale makes into the heavenly realms, where other angels are portrayed as not particularly nice characters. I thought that was a bit of a strange touch. Evidently I need to read the book again soon. 

The acting is excellent, and the production very well done with great use of special effects alongside believable (in context) people. When I read the book I found the storylines, running alongside each other, a tad confusing at times. In this film version it all works well and makes more sense. Having said that, I would probably have found it somewhat bewildering if I wasn’t already familiar with the story. 

We have been watching Doctor Who series 4 with David Tennant in the title role over the same period, and I wondered if I would sometimes find the overlap disturbing. But he’s such a good actor that I mostly forgot that he was anyone other than the demon Crawley, adapting to human life. I don’t think I’d seen Michael Sheen in a production before, but he was also excellent as the slightly nervous, uncertain angel who really wanted to do the right thing, and to be left alone with his books.

The rating is 12, which is about right, in my opinion. There are a few potentially disturbing scenes, and a handful of instances of bad language. There are innuendoes, too, and a couple of scenes showing a couple in bed together, though covered with sheets and just talking. The entire theme isn't really appropriate for younger children anyway. 

I know a second series was made of ‘Good Omens’, though it doesn’t seem to be available on DVD or blu-ray. But I don’t know that I want to see it. This first series covers the events in the book, and seems to me to be complete in itself without the need for anything else. 

However, I would recommend this original (first) series highly. If you do buy it, make sure it's in English if that's your preferred language, or that it has English options. Our set is an Italian one, but has the option of English too. 

Review copyright 2025 Sue's DVD Reviews

The Princess Diaries (Anne Hathaway)

(Amazon UK link)

We watched the 2001 film  ‘The Princess Diaries’ back in 2009, and liked it very much. It’s a film for the whole family, made by Disney, so it’s quite light-hearted. We wanted something light, so thought it was time for a re-watch. 

Anne Hathaway stars as the awkward teenager Mia Thermopolis. Apparently this was the first film that shot the actress to stardom, although she was only about eighteen when it was made. She makes an excellent fifteen-year-old who has wild, frizzy hair and doesn’t really fit in with her classmates. Her mother (Caroline Goodall) is a bohemian artist who makes very strange creations, and they live in a converted fire station. 

Mia does have a good friend, the equally awkward and odd-looking Lily (Heather Matarazzo). Neither of them particularly enjoys school, and Mia particularly dislikes public speaking, and is very bad at team sports. She’s quite a klutz, too; but she mostly ignores teasing and rudeness from her peers.

In a move reminiscent of both Cinderella and Harry Potter, Mia receives an unexpected summons to tea from her grandmother. She knows that her late father’s mother lives in a small European nation called Genovia, but she has never met her. She doesn’t much want to meet her, but her mother persuades her to go. And when Mia arrives at the largest, poshest house she has ever been in she is given information so startling that she doesn’t really take it in at first. 

Julie Andrews is perfect for her role as Mia’s Genovian grandmother Clarisse, living a life about as far removed as possible from the one Mia has always known. There’s a lot of tension at first, as Clarisse and her employees try to instil some deportment and table manners into Mia, rather to her disgust. I particularly appreciated her friendship and rapport with the man who becomes her chauffeur for a while, known as Joe (Hector Elizondo). 

It’s extremely well done. Anne Hathaway is excellent as Mia, even if her inevitable transformation seems a bit over-dramatic to be believable. But she manages both sides of her appearance with style. There’s some low-key humour in the film, partly involved in Mia’s mother’s bizarre art, but there are also some quite poignant and moving moments. 

It’s a teenage film primarily, so there is some love interest and a fair amount of kissing (though nothing more). And there’s some loud music and dancing, and much that shows the shallowness of many high school students. At the same time, there are some difficult choices that have to be made. Popularity or loyalty? Safety or adventure? Friendship or romance? 

I loved the chemistry between Mia and her mother, and also between Mia and her grandmother. And I thought the pace was perfect. I was totally engrossed, and surprised to learn that the film is almost two hours long. It felt like a much shorter movie. 

Our DVD has some extras; we watched a documentary about the way the cast and crew had a lot of fun together as well as working hard, and some of the reasons for the cast choices. We also watched some interesting deleted scenes, introduced and explained by the director, Garry Marshall. 

Definitely recommended for older children, teens, or adults like us who like slightly schmaltzy, clean and light-hearted films with great acting and a positive ending.

Review copyright 2025 Sue's DVD Reviews

Carousel (Gordon MacRae)

(Amazon UK link)

One of the films we were given by a friend downsizing at the start of last year is ‘Carousel’. It’s a 1950s classic musical, by Rodgers and Hammerstein, and just over two hours long. We decided we would watch it last night, making sure to allow plenty of time. We have the 50th anniversary edition, with two discs. I don’t know if it was digitally remastered, but the quality of both sound and picture seemed to be very good. 

We had no idea what the story was about when we started watching. However, the opening sequence shows a fairground after dark. There are crowds of people, mostly adults, buying street food, or playing games, or converging on the carousel. It’s an old-fashioned one with wooden horses and other animals going up and down to loud music. It’s impossible to hear any dialogue over the general noise, but apparently that was deliberate.

But then the film moves to a very different scene. Billy (Gordon MacRae) is sitting on a ladder, polishing and hanging stars. I thought at first he was decorating for Christmas, but quickly realised that these are supposedly real stars, set in the sky, and that he is in some kind of afterlife. Someone tells him he’s heard rumours that his family on earth are having trouble, and tells him that he might be able to go down for a day. Billy isn’t sure about this, but consults the person in charge…

This is a good device for letting the viewer know Billy’s back story, as he supposedly recounts it, to explain why he has a family, and why he is no longer with them. Billy was the ‘barker’ (a term I didn’t know) for someone else’s carousel at the fair. That meant he stood at the side, proclaiming the wonders of the experience, to draw people in to buy tickets. He was evidently very good at this, until he became distracted by an attractive young woman called Julie (Shirley Jones)...

Billy is quite a womaniser but Julie is rather smitten, although insisting that she is respectable. And as they flirt a little, they burst into song. I should have expected it - this is, after all, a musical - and they both have good voices. But I found this, and some of the other songs in the film, rather slow and long-winded. The first one is mildly amusing, perhaps… and then the action takes us back to Billy in his afterlife scenario. To remind the viewer, perhaps, that something evidently happened to cause his death.

Back to earth, as he continues talking about what went on, and he’s married to Julie, but all is not well. Billy has no job now, and hates being idle. All the town is going on a ‘clam bake’ (something else I had never heard of) which starts with a trip out in boats… and Billy is persuaded to go by a disreputable ‘friend’ who has proposed a method of making them both wealthy…

I did enjoy the dance sequences, which were cleverly choreographed and extremely well executed. I was also quite surprised to find that I knew a couple of the songs in the film. ‘June is bustin’ out all over’ was written for this musical, as was the quite well-known ‘I’ll never walk alone’. I also quite liked Billy’s gradual change of heart, as circumstances change, although it’s not until the very end that he does something totally altruistic.

We appreciated the settings too; it was filmed in Maine, on the coast and there are quite a few scenes on the beach, or on sailing boats. Despite the title of the musical, the carousel itself only appears at the beginning of the film, as the place where Billy and Julie first meet. 

While there’s some humour and a lot of caricaturing, it’s a bit dark for a musical. I gather that it wasn’t as popular as the writers had hoped when it was first in the cinemas. Perhaps that’s because Billy isn’t all that likeable, and because there is a tragic scene when things go wrong. It’s one which we know is going to happen, but it stops the otherwise light-hearted film being truly family-friendly, despite the U rating. 

While I’d have liked it better if it wasn’t quite so slow-moving, it was very well done, in a 1950s way. The way actors in films spoke - as if they were on stage - seems quaint to us now, as does the way that the women are all perfectly made up at all times, even at the end of a day’s fishing and then smoking sea-food. 

We didn’t watch all the extras, but were interested in one about the making of the film, with some clips from the writers and people involved in the production. Apparently it was based on a much darker Hungarian film called ‘Liliom’ which didn’t have the somewhat uplifting ending of ‘Carousel’. Initially ‘Carousel’ was a stage musical which ran for quite a long time before it was turned into a film. 

Worth watching once, as it’s a classic, if only for the excellent dance sequences. But it’s not one I’m likely to want to see again.

Review copyright 2025 Sue's DVD Reviews

Hotel for dogs (Emma Roberts)

(Amazon UK link)

About eighteen months ago, when we bought some extra DVD shelving (used), we were offered a selection of children’s DVDs. Some of them are of no interest to me, although visiting children sometimes like them. But I thought that the 2009 film ‘Hotel for dogs’ sounded quite interesting, based on the blurb. So last night we decided to watch it.

Andi (Emma Roberts) is sixteen, and very close to her ten-year-old brother Bruce (Jake T Austin). They were orphaned three years earlier - we don’t learn why - and are living in foster care. It’s clearly not working well for them; their foster parents, Lois and Karl, provide a lot of the comedy in the film as they are so dreadful, and clearly unsuited to the role. She makes extremely unappetising food, and the two of them spend most of their time trying to record bad quality music.

Andi and Bruce have a dog called Friday, whom they adore. But no dogs are allowed in their foster home, so they have to sneak him in at night-time. And since they have no money, they try to ‘earn’ enough to feed Friday, through very dubious scams. Their social worker Bernie (Don Cheadle) is excellent; he clearly cares about them, and regularly gets them out of trouble. Although he knows their foster parents are neglectful, there are very few foster families willing to take on siblings of their age. And they are desperate to stay together.

In their neighbourhood there is a van that goes around collecting stray dogs, and unfortunately they come across Friday and impound him. And while they manage to release him, they’re shocked to see that there are many other delightful dogs, and that they’re only allowed to be there, uncollected, for 72 hours…

It’s quite poignant at first, contrasting the young people’s love of dogs, and concern for strays with the rigidity of the dog police. Andi and Bruce discover an abandoned hotel where some of the dogs have made themselves at home. And they decide to take it over, with the help from some friends they gradually acquire. Bruce is a technological genius, and makes some impressive devices from items left behind in the old hotel, and also things he has taken from his foster home…

There’s a lot of humour in this film, which we thought was beautifully made. The dogs are wonderful, more and more of them appearing and being adopted by Annie and Bruce. There are scenes showing the dog police wondering where all the stray dogs have gone. And we loved the way Bruce gradually manages to automate not just the dogs’ feeding time, but their exercise, toilet needs, and other preferences. It’s quite surreal, of course, but while we were watching, we felt quite drawn into the film, rooting for the teenagers and the dogs.

Naturally enough, things can’t continue this way forever, and there’s some tension and an exciting race towards the end. Bernie makes a heartfelt speech which makes for a happy ending - this is, after all, a children’s film - and an even more surreal conclusion, which we thought very amusing.

The acting is excellent, and the dogs are amazing. We watched some of the ‘extras’ on the DVD, which included a section about the dog training, which was impressive. And there was a heartfelt comment from the actor who plays Bruce, saying that there were times when he did everything correctly, but the dog with him didn’t. So they had to do seventeen takes. 

It was clear both from the film and from the ‘making of’ extra that the cast loved dogs - and the crew, too. Some of the dogs used were themselves strays, who were then adopted by cast or crew members. I am not, in general, a dog person. But I thought that, as well as being a well-made and amusing film, it gave a very important message about the responsibility that comes with having a dog. 

Overall, I would recommend it to adults as well as teens and children who want something light-hearted, so long as you don’t mind a bizarre storyline that’s a bit like a 21st century fairy-tale. Apparently this was loosely based on a book of the same name. The teenage actors - or those portraying teenagers - are excellent, carrying the film entirely. Other than Bernie, most of the adult characters are either caricatures, or in some way against the teens' efforts. 

The rating is U, which reflects the lack of anything ‘adult’. There are one or two very minor uses of bad language, and the film might, perhaps, be disturbing to a child who had problems in foster care, or who had lost a dog. I think I would probably rate it PG, suggesting that parents should take responsibility for deciding whether or not their children would be likely to find it upsetting, or funny.

Review copyright 2025 Sue's DVD Reviews