Shadows in the sun (Joshua Jackson)

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It’s nearly eleven years since we watched the 2005 film ‘Shadows in the sun’. I hadn’t remembered anything about it; we watched it last night and I had no memory of it at all, though my husband recalled one or two brief scenes. 

The story features a thirty-something man called Jeremy (Joshua Jackson) who works for an editing company in London. His boss (John Rhys-Davies) notes that another company has just signed up a writer who had not produced anything for a decade. He asks Jeremy what he thinks of another writer, Weldon Parish. Jeremy mentions that he loved a book Weldon had written when Jeremy was a child. However, he had apparently stopped writing when his wife had died twenty years earlier.

The boss announces that Jeremy is to travel to Tuscany, in Italy, to recruit Weldon to their books. Jeremy doesn’t believe it’s possible, but has no choice. We see him travelling in a smart suit, with his briefcase and his determination to attempt what might be impossible.

The rewrite (Hugh Grant)

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It’s ten years since we watched the 2014 film ‘The rewrite’. We hadn’t remembered anything about it, but saw a trailer for it last week, and thought it looked worth rewatching.

Hugh Grant stars as the screenwriter Keith who had a tremendous success fifteen years before the story begins. He won awards, and people still talk about his film ‘Paradise misplaced’. He did write some other screenplays, but had no more triumphs, and is now somewhat depressed, lacking money and uninspired.

Then he’s offered an unexpected post teaching screenwriting at a small university in New York. He hates the idea - he’s convinced that writing cannot be taught - but eventually agrees. He finds people very friendly - one of his potential students rather too friendly - and full of admiration for his famous film. Then he manages to upset one of his colleagues, first by being rude about Jane Austen, and then about women in films. He’s had a bit too much wine and gets himself into more and more trouble…

Yes, minister series 1 (Paul Eddington)

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It’s a very long time since we watched the series ‘Yes, Minister’. I recall seeing them - or some of them - on TV when they were first broadcast in the early 1980s. And I’m pretty sure we watched the series on DVD about fifteen years ago; but I have no record of it. And only a general recollection of the content.

So we started watching in early August. Each episode is only about half an hour, so we watched two at a time. The first episode shows the results of the general election when Jim Hacker (Paul Eddington) is elected, and a new party takes office. 

We never learn which party they are supposed to represent, and while that bothered me in the past, I think now that this was wise. The point is made, often, that even if political parties have different aims or goals, the way they function (and the role of the civil service) is much the same. 

What we did on our holiday (David Tennant, Rosamunde Pike)

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It’s over ten years since we watched the 2014 film ‘What we did on our holiday’. I remembered that it starred two of my favourite actors (David Tennant and Billy Connolly). I also recalled that there was a very sad scene in the middle of what was otherwise a light-hearted story. But nothing else about it.

David Tennant stars as Doug, a Scotsman who has separated from his wife Abi (Rosamunde Pike). They have three children: Lottie (Emilia Jones), Mickey (Bobby Smalldridge), and Jess (Harriet Turnbull). We learn towards the end of the film that Mickey is six; Lottie must be about ten, and Jess about four. All three of these children are excellent: they have a great on-screen chemistry, and they’re entirely believable, even in what must have been quite difficult scenes.

As the film starts, Doug and Abi are trying to get the children’s cases packed and into the car, as they’re all travelling to Scotland. There are some very amusing scenes involving Jess’s insistence on packing heavy rocks and a breezeblock. She insists that she can’t sleep without them. And if anyone tries to persuade her otherwise, she holds her breath until she passes out. It’s manipulative, but she’s very cute, and often gets her own way.

The Help (Emma Stone)

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It’s eleven years since we saw the film ‘The Help’, which was based on the excellent novel of the same name by Kathryn Stockett. I recalled most of the plot - it’s a very powerful, thought-provoking one - but had forgotten most of the details. We decided to watch it last night despite it being quite a long film by today’s standards: it’s almost two and a half hours long. 

Although we knew it was set in the 1960s, it still felt shocking to us that racial segregation was still legal - and popular with white people - in Mississippi. It all takes place in a small town, where there are a lot of socialite white women who all have black ‘maids’ - known collectively as ‘the help’. 

We get to know just a few of the households concerned. Aibileen (Viola Davies) works for a woman called Elizabeth (Ahna O’Reilly), looking after her young daughter Mae Mobley, who must be about two and a half or three. Elizabeth had post-natal depression and does almost nothing for her daughter, who adores ‘Aibie’. Apparently Mae Mobley, who is delightful, was played by identical twins. 

The King and I (Deborah Kerr)

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A couple of years ago we were given several DVDs of old, classic films by an elderly friend who was downsizing. Many of them were musicals, and we’ve watched a few. But we’re not huge fans of musicals in general, so one is usually sufficient for several months.

Last night we decided to watch ‘The King and I’, which neither of us had ever seen before, although we had heard of it. The film was made in 1956, and it’s quite an extravaganza of colour, song and dance. Apparently it was based on a Broadway show, which was based on a book, which was roughly based on some true memoirs. 

The entire story takes place in Siam (now known as Thailand) in the 1860s. The first person we meet as a young widowed woman called Anna (Deborah Kerr) who is on a ship, accompanied by her son Louis. They sound artificially upper-class at first, and her huge, hooped skirt looks totally out of place as they talk to the captain, and Louis wonders whether the King of Siam will meet them. 

All creatures great and small series 2 (Christopher Timothy)

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We thoroughly enjoyed watching the first series of the 1970s TV show ‘All creatures great and small’ (based on the books by James Herriot) earlier in the year. So when we finished, it wasn’t a difficult decision to move on to the second series. 

The same actors appear in the main roles. Christopher Timothy is excellent as James Herriot, now more comfortable in his role as partner in the vet surgery, and married to Helen (Carol Drinkwater).  Siegfried Farnon is perfectly portrayed by Robert Hardy: sometimes charming, sometimes irritable, always very gentle with animals. His younger brother Tristan is Peter Davison, rather younger than when he portrayed Doctor Who, and considerably more irresponsible.

In the first episode Siegfried shocks James and Helen by telling them they need to move out of their room within a couple of weeks. But he’s not turning them out on the streets… he has bigger rooms in the attic, which he’s making available to them. They need rather a lot of cleaning and decorating, but Helen proves proficient with wallpapering. 

Ella Enchanted (Anne Hathaway)

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It’s over a decade since we first saw - and liked - the DVD of ‘Ella enchanted’. I remembered that it was based, fairly loosely, on the classic story of Cinderella, but that was about all. We thought it would make a pleasant, undemanding (and not too long) film to watch.

Anne Hathaway stars as Ella, and she is perfect for the role. She’s feisty, athletic, and has excellent comic timing. She can also be very romantic. But the film doesn’t open with a grown-up Ella. It starts with a scene that could almost have been from Sleeping Beauty rather than Cinderella. Baby Ella is adored by her parents, and by the not-very-competent household fairy Mandy (Minnie Driver). 

Then with a magical swirl, Lucinda arrives. Ella’s mother doesn’t quite manage to hide the baby, although she would like to, because Lucinda is reputed to give unhelpful gifts. Not that she’s a bad or evil fairy - but her gifts tend to backfire. And she becomes offended if anyone asks her to take them back. She decides to give Ella the gift of obedience. She assures the household that this will make her a very easy baby…

The time of the Doctor (Matt Smith)

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We very much enjoyed rewatching series seven of Doctor Who recently. It was the last full series with Matt Smith, whom we had started to appreciate very much with his somewhat eccentric - and occasionally clumsy - portrayal of the Doctor. We then watched the 50th anniversary special, ‘The day of the Doctor’ a week or so back, and thought it excellent.  

Next in the series is the 2013 Christmas special, one which we had seen about ten years ago (on someone else’s i-player), but had totally forgotten. I spent some time trying to find it as a standalone DVD but ended up having to buy it on a ‘Christmas specials’ DVD set, which included three others which we had already seen, and had as part of their series (or, in the case of ‘The doctor, the widow and the wardrobe', as a standalone).

This wasn’t sold as part of series 8 for two reasons, or so I'm assuming. The first is that, rather than being Peter Capaldi’s first episode as the twelfth doctor, it’s Matt Smith’s final episode; he regenerates right at the end. The second is that series 8 didn’t start until August 2014, eight months after this one was broadcast.

Cabaret (Liza Minnelli)

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We’ve had the film Cabaret on our shelves for over a decade. As far as I remember, it was a free DVD which a relative acquired with a Sunday newspaper, and then passed on to us. I’ve looked at the blurb a couple of times, and thought it sounded interesting… but it’s taken until now for us to finally sit down and watch it.

The film was made in 1972, so inevitably the style is a bit dated - and perhaps deliberately so because it’s set in the 1930s, in Germany. Apparently it was based on a stage show which was based on a book, but I’m not familiar with either of them. 

Quite a bit of the film is set in a popular night club in Berlin, with a cabaret show hosted by a made up man (Joel Grey) who is excellent at what he does, though it’s not a style that appeals to me at all. He makes crude jokes which the audience laugh at, and sometimes dances with the women (one of whom is a man in drag…). Sally (Liza Minnelli) is one of the stars of the show and it’s quickly clear that she lives a highly promiscuous lifestyle.

The day of the doctor (50th anniversary special)

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We finished re-watching Doctor Who series 7 around a week ago. It ends with Matt Smith as the 11th doctor seeing the place where he will eventually die, but with no sign of regenerating. That happens before series 8, but in between the two series were a couple of ‘special’ episodes. We saw them in 2016 on a relative’s streaming system in 2016, but I decided to acquire the DVDs after that, as we enjoyed them both and I was pretty sure we would eventually want to re-watch them.

A decade later, we allowed longer than usual and watched ‘The day of the Doctor’, which was broadcast as the 50th anniversary ‘special’. I had forgotten, until we started watching, that it featured not just Matt Smith, but David Tennant who returned specially, as well as Billie Piper.  I had forgotten everything else about it, too…

The episode begins with the Doctor and Clara (Jenna Coleman) having rather an undignified ride over London when the tardis is requisitioned by UNIT, in particular by Kate Lethbridge-Stewart (Jemma Redgrave). She wants them to investigate some 3d paintings which have apparently been vandalised… from inside. 

We bought a zoo (Matt Damon)

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It’s over ten years since we watched ‘We bought a zoo’, a 2011 film which we assumed, at first, was a children’s film. In more than a decade I had forgotten everything other than the overall story: a family who knew nothing about zoos decided to buy one. But I could not recall why, or the circumstances leading up to the purchase.

It turns out that the film was based on a true story. Benjamin (brilliantly portrayed by Matt Damon) has been recently widowed. He had lived quite an adventurous life as a reporter, but, as the introduction tells us, nothing prepared him for being a single father, not just grieving himself but having to deal with both the practical and emotional ramifications for his teenage son Dylan (Colin Ford) and his seven-year-old daughter Rosie (Maggie Elizabeth Jones). 

Dylan is going through a rough patch at school and after three incidents, triggered by his anger and depression, he is expelled. Benjamin decides they need to make a new start, in a house that doesn’t remind them all of his late wife. So he goes house-hunting with Rosie in quite an amusing sequence. None of the houses feel right to them at all, until they find out way out in the countryside, which they both feel is perfect.

Doctor Who series 7 (Matt Smith)

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After rewatching the excellent 2011 Christmas special, ‘The doctor, the widow and the wardrobe’ towards the end of April, we embarked again on series 7, the last full series featuring Matt Smith as the 11th Doctor.  We first watched series 7 during 2014; it was originally broadcast during 2012. 

The first episode, ‘Asylum of the daleks’ is a dramatic one. I have never liked the daleks, but they’re probably the most iconic aliens in the series. In this episode, the Doctor is summoned, to his astonishment, to help them figure out a problem with the planet where they have imprisoned daleks who have gone insane. 

They’re worried that they might escape, and the Doctor is the only person who can do what they want. They also send Amy (Karen Gillen) and Rory (Arthur Darvill), who - as we have seen in the first scenes of this episode - are about to get divorced.

It’s an exciting start to the new series, one with several twists and turns and the introduction of Jenna-Louise Coleman as Oswin. She’s a self-proclaimed genius who has somehow survived a spaceship crash and is using her computer to control doors and other features around the plant.

A good woman (Helen Hunt)

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It’s over eleven years since we watched the DVD of the 2004 film ‘A good woman’, and we had both forgotten everything about it. As the story progressed, I remembered that it was an adaptation - or a film based on - the Oscar Wilde play ‘Lady Windermere’s fan’. But since I’m not familiar with the play, it didn’t help me recall any details of the film.

A woman called Mrs Erlynne (Helen Hunt) is really the main protagonist of this film, which is set in the 1930s. We meet her leaving New York where she has a lot of unpaid debts. And we quickly learn that she’s the kind of woman who attracts men, usually married ones. There’s a lot of gossip about her, much of it accurate.

The action moves to the Amalfi coast in Italy.  A young couple - Lord Windermere (Mark Umbers) and his American wife Meg (Scarlett Johansson) - are having a long holiday there. They’ve been married for a year, and she’s about to celebrate her 21st birthday. They are clearly devoted to each other, but Mrs Erlynne has her sights set on them… and we start seeing him arriving, secretly, at her house, followed by writing cheques to her. 

The magic of Belle Isle (Morgan Freeman)

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It’s over ten years since we watched ‘The magic of Belle Isle’. I had forgotten most of the story, but knew it featured Morgan Freeman, who is always excellent. We wanted something relaxing to watch, and decided on this 2012 film.

We were almost immediately captivated. 

Monty Wildhorn (Morgan Freeman) is a former novelist who was quite well-known for his western adventures. But life has not treated him well, and he’s lost both his faith and his mojo. He hasn’t written for years and has become an alcoholic. He’s in a wheelchair - we don’t learn why until much later in the film - and is both angry and depressed.

Monty’s nephew Henry (Kenan Thompson) persuades him to stay in a beach house, dog-sitting for the summer. He sets up Monty’s typewriter, hoping that the tranquillity of the location might persuade him to write again. 

Grease (Olivia Newton-John, John Travolta)

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It’s over twenty years since we watched the DVD of the 1978 film ‘Grease’. We saw it at the cinema in the late 1970s, and then acquired the DVD in 2005 when we started collecting them. We watched it soon afterwards. But it’s been sitting on a shelf since then. I remembered the basic outline of the story, but had forgotten most of the details. It was clearly time to rewatch it.

We meet Sandy (Olivia Newton John) on a beach in the United States, saying a long farewell to her holiday romance boyfriend, Danny (John Travolta). These principal actors must have been 30 and 24 respectively, but are quite believable as 17-year-olds about to embark on their final year of high school. 

Sandy is Australian, and expects to return home with her parents. But plans change, and she enrols at the local high school, not knowing that it’s the one attended by Danny. But he’s in a group of friends who are quite tough and don’t treat girls particularly well, so when they do finally meet, he’s distant and abrupt with her. 

Flipper (Elijah Wood)

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It’s over twenty years since we watched the family film ‘Flipper’ about a teenage boy and his special relationship to a dolphin. I didn’t remember much about it, other than that it was a somewhat bittersweet ending with some tension along the way.

I had quite forgotten that the show stars Elijah Wood as fifteen-year-old Sandy, well before he became a household name as Frodo in the Lord of the Rings series. He was apparently prolific as a child actor, and plays the part of the somewhat fed-up Sandy very competently.

Sandy’s parents, we quickly learn, are separating, and they have sent Sandy to stay with his uncle, Porter (Paul Hogan), for the summer. Porter lives in a ramshackle building on the coast of Florida, and mostly lives on canned food, which he acquires in bulk from various ships. He doesn’t much want someone around, and Sandy doesn’t want to be there, but when Sandy tries to run away Porter follows him and brings him back.

All creatures great and small series 1 (Christopher Timothy)

(Amazon UK link)

Although we’ve had some DVD sets of the 1980s TV adaptation of ‘All creatures great and small’ on our shelves for many years, we’ve never sat down and watched them through. So we decided to make that our next ‘light’ DVD watching after finishing the fifth series of Dad’s Army in the middle of April. 

This TV series was based on the books by James Herriot, and produced by the BBC. I watched some of them when they were first broadcast, but don’t think I’ve seen the series since. It looks quite dated in style, with the almost square layout of the screen, and it’s not as sharp as modern shows. Perhaps there are remastered editions of this, but ours must have been bought at least twenty years ago. I understand that another series was made a few years ago, too. 

The theme tune was immediately recognisable to me, but I’d forgotten how the series started: a rather nervous James (Christopher Timothy), smartly suited, is on a bus on his way to a job interview. He arrives, only to find that his prospective boss Seigfried (Robert Hardy) is out, and the housekeeper Mrs Hall (Mary Hignet) is not expecting him. But he gets thrown into local conversation, then goes out with Siegfried when he gets back, and - unsurprisingly - is offered the job. There’s a slightly stressful ending to the first episode as he is threatened with a possible lawsuit..

The shack (Sam Worthington)

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It’s seventeen years since I read the bestselling Christian novel ‘The Shack’, which caused some controversy in American evangelical circles. I recalled disliking the first section which was cliché-ridden and described a heart-breaking family tragedy. But it got better. The main part was unexpected,  inspiring, and moving in places. 

I wasn’t sure I wanted to see the film that was based on - or, at least, inspired by - the book, which was made in 2017. But my husband acquired the blu-ray, so we decided to watch it last night. 

The opening is quite disturbing; 13-year-old Mack (Carson Reaume) lives with a seriously abusive father who drinks too much and becomes violent. This is hidden behind an overly-religious front, demanding that children obey their parents, and expecting his wife to obey him. When Mack’s mother can’t take it any more, she leaves, and Mack takes matters into his own hands. 

A hard day's night (The Beatles)

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We’ve had the DVD of the classic film ‘A hard day’s night’ on our shelves for years. I have no idea how or when we acquired it. But last night we decided, at last, that we would watch it. We knew nothing about it, other than that it featured The Beatles.

The film was made in 1964, but was in black-and-white. This didn’t worry us, after a moment’s initial surprise. And while there is, of course, quite a bit of Beatles music featured, the film doesn’t feel like a standard musical. Instead, it’s a story - fictional, but based loosely on the kinds of things that might have happened - starring the four Beatles as themselves.

We first see them chased and almost mobbed by screaming young women, but getting onto a train with their manager Norm (Norman Rossington) and his sidekick Shake (John Junkin). They are also accompanied by Paul’s grandfather (Wilfred Bramble). I could not understand the frequent references to Grandfather as ‘a very clean man’, until we watched one of the ‘extras’. Apparently he was better known in a sitcom from the same era, ‘Steptoe and Son’, where he played an elderly man who was known for being very grubby.