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‘The Invention of Lying’ is set in a world where everybody tells the truth. All the time. Some genetic quirk means that nobody is capable of telling a lie - thus everybody is entirely trustworthy.
It's an interesting premise, and one that leads to some mildly amusing scenarios. For instance, people greet each other in ways that seem quite rude, yet nobody takes offence. There’s a bit of a fine line between blurting out everything as one sees it, and keeping quiet about some truth, which is not really explored. But the point is well made.
Ricky Gervais plays the main part, that of the screenwriter Mark. He’s a bit short and dumpy, and takes himself rather too seriously. Screenwriting in this world, of course, simply consists of the re-telling of history. Fiction, like lying, is an unknown concept. And Mark has been allocated such a dull period of history that he ends up losing his job.
Unsurprisingly, there is also a romance in this film. Mark is attracted to Anna (Jennifer Garner) who agrees to go out on a date with him for a friend’s sake. She lets him know that she is not interested in him but then finds that she quite enjoys her evening.
Then, when Mark is at rock bottom, about to be evicted from his flat, something dramatic goes on in his mind. We see the cogs whirring - and he tells the first lie. He gets away with it, because nobody else can even imagine that he might not be telling the truth. After the first time he finds that he can make things up and mislead people as much as he wishes. The only thing he can’t convince anyone about is that he’s saying things that ‘aren’t’. There’s no word in this world for lies, or even for truth.
All of which is light-hearted fun, and quite thought-provoking. Then suddenly the movie alters to be propaganda for atheism. It’s quite cleverly done, subtly but with the same kind of satirical humour. However we felt that it was rather a sneaky way of expressing one’s message in what is supposed to be entertainment.
That apart, the film is nicely done. The characters are rather exaggerated, but that doesn’t matter much. We were a bit shocked to learn that the rating is only 12A or PG-13. While there’s no violence, and only a few instances of bad language, there are several sexual references - some very direct - which should surely have made this at least a 15.
I doubt if it would be of any interest to younger teenagers anyway. But parents should be aware of the content - the IMDB site has a good parental advisory - if watching it with children around.
Ricky Gervais plays the main part, that of the screenwriter Mark. He’s a bit short and dumpy, and takes himself rather too seriously. Screenwriting in this world, of course, simply consists of the re-telling of history. Fiction, like lying, is an unknown concept. And Mark has been allocated such a dull period of history that he ends up losing his job.
Unsurprisingly, there is also a romance in this film. Mark is attracted to Anna (Jennifer Garner) who agrees to go out on a date with him for a friend’s sake. She lets him know that she is not interested in him but then finds that she quite enjoys her evening.
Then, when Mark is at rock bottom, about to be evicted from his flat, something dramatic goes on in his mind. We see the cogs whirring - and he tells the first lie. He gets away with it, because nobody else can even imagine that he might not be telling the truth. After the first time he finds that he can make things up and mislead people as much as he wishes. The only thing he can’t convince anyone about is that he’s saying things that ‘aren’t’. There’s no word in this world for lies, or even for truth.
All of which is light-hearted fun, and quite thought-provoking. Then suddenly the movie alters to be propaganda for atheism. It’s quite cleverly done, subtly but with the same kind of satirical humour. However we felt that it was rather a sneaky way of expressing one’s message in what is supposed to be entertainment.
That apart, the film is nicely done. The characters are rather exaggerated, but that doesn’t matter much. We were a bit shocked to learn that the rating is only 12A or PG-13. While there’s no violence, and only a few instances of bad language, there are several sexual references - some very direct - which should surely have made this at least a 15.
I doubt if it would be of any interest to younger teenagers anyway. But parents should be aware of the content - the IMDB site has a good parental advisory - if watching it with children around.
It was certainly worth seeing once, and led to some interesting discussions. But it's not a film that I expect to see again, and not a DVD that we plan on acquiring ourselves.
Review copyright 2014 Sue's DVD Reviews
Review copyright 2014 Sue's DVD Reviews
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