08 September 2019

Yours, Mine and Ours (Dennis Quaid and Rene Russo)

We were fairly tired, and wanted something light-hearted and undemanding to watch. We hadn’t seen ‘Yours, Mine & Ours’ for about ten years. Having checked my previous review, I am puzzled as last time we apparently saw the original 1968 version with Lucille Ball and Henry Fonda. Perhaps we saw it at someone else’s house and then bought the more recent version for ourselves.

The story appears to be the same, although if we previously saw a different version, that would explain why it didn’t feel at all familiar. Dennis Quaid is the rather militant admiral Frank in this version, which was produced in 2006. He was widowed a few years before the story opens, and runs his family - with eight children - in a highly structured naval fashion. They move regularly, and are rather fed up of constant changes, with new accommodation and schools to get used to.

Frank is contrasted with the bohemian designer Helen (Rene Russo) who is also widowed, and has ten children: six of them adopted. Her household is somewhat crazy, but there’s a lot more affection and fun than appears to be the case in Frank’s home.

It turns out that Frank and Helen were high school sweethearts, although they had lost touch many years earlier. They bump into each other when they are both out on dates with other people, and they get together at a high school reunion cruise.

The bulk of the film follows events when the two families move in together, to an abandoned lighthouse which needs a great deal of renovation. There are inevitable clashes; Frank produces schedules and structure, Helen encourages free expression and creativity. The children don’t want new step-siblings but their battles - some of them quite amusing, with cleverly choreographed slapstick scenes - only serve to draw their parents closer to each other, albeit worried about the future.

It’s predictable in an overall sense, of course, but it’s nicely done. It manages to feel a tad dated despite the teenagers having cell phones, but most of the humour is timeless. Some of it is a tad extreme, which is probably why this film has a PG rather than U rating. I didn’t notice any profanities, and there are no scenes of nudity or adult intimacy, other than a little kissing now and then.

There’s nothing deep in this film, and the extras aren’t particularly interesting, but it made a good evening’s undemanding viewing, with a few places where we laughed out loud. We didn't get to know any of the children individually and I had forgotten all their names by the time the film ended; there are four teenagers, and some young twins who are perhaps five, as well as all ages in between.

Recommended if you want to see something light-hearted - and unless you are very particular, there’s nothing unsuitable for children.

Review copyright 2019 Sue's DVD Reviews

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