It’s nearly nine years since we saw the film ‘Driving Miss Daisy’. We vaguely remembered the storyline - that an elderly white woman in the United States, back in the 1950s, employs a black driver - but we had forgotten everything else about it. Well, almost everything. I had recalled that it took me a good five minutes to start understanding the very strong Southern American accents. But I knew it would be worth watching anyway.
We tried - and failed - to switch on subtitles at the beginning of the film, since, once again, I found it very difficult to understand more than about one word in three in the first few minutes of re-watching this. But it didn’t matter too much.
The story itself is relatively straightforward. Miss Daisy - brilliantly portrayed by Jessica Tandy’ is a Jewish widow, living in the state of Georgia. She is such a bad driver that insurance companies will no longer insure her. So her son Boolie (Dan Aykroyd) who is a businessman employs a man called Hoke (Morgan Freeman) who is clearly an expert with everything mechanical, as well as an excellent driver.
Miss Daisy doesn’t want a driver, and determines to walk everywhere at first. She insists that she is not prejudiced, and has, for the era, basically a good relationship with her housekeeper and cook Idella (Esther Rolle). But the class consciousness is as strong as that of the upper classes in 18th century Britain; Idella and Hoke can never eat with Miss Daisy, for instance.
Morgan Freeman, as ever, is superb in the role of Hoke. He’s good-natured, and determined to break through the initial hostility displayed. He has a sense of humour, and strong integrity; so there are some quite amusing scenes here and there. But we also see just how difficult it was for people with dark skin in this era; Hoke had never travelled, and had lacked even a basic education as a child.
The story covers a span of twenty-five years, and both the main characters age, Miss Daisy becoming more forgetful and Hoke remaining faithful and strong. There isn’t a great deal of action, although there are some very sad scenes as well as some that are quite uplifting. The point is made that even though Miss Daisy is white and wealthy, and thus privileged in many ways, being Jewish makes her a minority. Gradually she begins to understand some of what Hoke has to cope with daily.
Once my ears had attuned to the strong accents, I was completely immersed in this beautifully made film, which is thought-provoking, revealing, and ultimately - even if it’s a cliche - heartwarming. The rating is U, and I would recommend it to anyone wanting to see a little of what Soutnern US culture was like in the 1950s and subsequent decades.
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