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The film takes place over the course of just three days in the run-up to Christmas, with a brief epilogue a year later. At the start of the film, we see adult offspring arriving at the family home. Diane Keaton is, as ever, wonderful as a slightly harassed but very affectionate mother figure (Sybil Stone). Sybil is happily married to Kelly (Craig T Nelson) and they have five very different children.
Everett (Dermot Mulroney) is the oldest and he’s dressed, at first, like a 1940s American film star, in a suit and tie, looking slightly out of place in his rather bohemian family. He is bringing his girlfriend Meredith (Sarah Jessica Parker) to meet the family for Christmas. She is stressed and uptight, convinced everyone will hate her. She lacks any kind of intuition, tact or empathy, it appears, and continually makes unhelpful comments. It doesn’t help that one of Everett’s sisters, Amy (Rachel McAdams) met Meredith previously, and they did not hit it off at all.
Everett has another sister, Susanna (Elizabeth Reaser), who is there with her daughter Elizabeth (Savannah Stehlin) who must be about eight. Elizabeth is as lacking in tact as Meredith but in rather different ways. Their other brothers are Ben (Luke Wilson) who arrives late, dressed very casually, and makes caustic comments, and Thad (Tyrone Giordano), who is both deaf and gay, who comes with his partner Patrick (Brian White). These characters interact in ways that adult siblings might, with a deep underlying bond of affection but also a great deal of teasing.
Several subplots blend together realistically as we learn more about each of the family members and the dynamics between them. Meredith continues to make herself increasingly disliked, calling her sister in desperation and moving to a local hotel to stay with her. But the sister, Julie (Clare Danes) turns out to be a likeable, attractive person and Everett finds himself liking her increasingly…
There’s not a whole lot of plot as this is a character-based romantic comedy with the romantic element being fairly low-key, and rather muddled at times. But there are some excellent comic moments; the expressions on Kelly’s face are superb, and there’s a brilliantly choreographed (and very messy) scene towards the end which made us laugh - not with schadenfreude, but with the clever way in which one bump or messy surface leads to neatly to a further disaster.
We loved the way that the middle aged parents are so relaxed, on the whole. They accept their offspring’s love lives and friends and welcome them all, with plenty of food and places to sit, and a generally untidy but friendly appearance to the house. So their feeling that Meredith is the wrong person for Everett is all the more telling. We also loved the way that sign language is part of the way the family communicate with each other - something that would happen naturally when one of them is deaf.
There’s also a very sad thread intertwining; it would be a spoiler to say what it is (and actually we don’t know many details), meaning that the epilogue scene, a year later, is bittersweet. It’s delightful - with new members of the family, and their determination to carry on - and also very poignant.
We thoroughly enjoyed ‘The Family Stone’ and also liked seeing some of the ‘extras’ including a few deleted scenes, some; bloopers - mostly when Meredith’s character dissolves into laughter as she’s about to utter one of her tactless comments - as well as some characters discussing their roles, and the film in general.
Rated 12, probably due to several references to intimacy although there’s nothing explicit. Only minor bad language, and minor violence - one character slaps another a few times - but the film is unlikely to be of interest to younger children anyway.
Highly recommended.
You can find other reviews and more information about this film, including a short trailer, at the IMDb site: The Family Stone.
Review copyright 2020 Sue's DVD Reviews
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