I don’t remember where ‘Life as we know it’ was recommended to me; perhaps Amazon thought I would like it based on films I have previously enjoyed. Anyway, I had it on my wishlist, and was given it for Christmas last year. We watched with no idea what to expect, although the style of the DVD cover suggested a light rom-com. I don’t usually read the blurb so as not to spoil any surprises.
We found the start of the film a bit confusing, with several young people all speaking very rapidly with strong American accents. Gradually we worked out that there were four main characters: a couple with a baby called Sophie, and their two closest friends who are the baby’s godparents. The only problem is that the godparents - Holly (Katherine Heigl) and Messer (Josh Duhamel) really, really don’t like each other.
Something unexpected and terrible happens, which results in Holly and Messer having to share looking after Sophie, who is just past her first birthday. They both love her, but have no idea how to look after a baby: there are some mildly amusing scenes as they attempt to feed her, change nappies, and so on. It’s quite cute, mainly because Sophie is an absolute delight. Unfortunately there are no extras to this, other than some deleted scenes, as we would have liked a documentary explaining how this worked so very well. However, according to IMDb, baby Sophie was played by triplet sisters, Alexis, Brooke and Brynn Clagett.
The plot is somewhat predictable - gradually the two become more adept at looking after Sophie, excited by her reaching various milestones, and gradually they realise that actually they do rather like each other. There are stresses as they try to juggle their careers and private lives, and some quite amusing scenes involving a social worker Janine (Sarah Burns) who tries to figure out whether or not they should have the care of Sophie - and who is clearly rooting for them, reassuring them that many cases are much more difficult, and that her role is to ensure whatever is best for Sophie.
Overall we thought it well done, made special by the baby. The script works at a good pace, and although there are some irritating parts (from the one-night stands through to trying to feed a year-old toddler blended fruit rather than regular food) it’s mostly a mixture of poignancy and fun. It’s not particularly deep or thought-provoking, and I couldn’t keep track of everyone’s names (other than Sophie’s) - but it made a good evening’s light viewing. Some of the comic timing was excellent.
The deleted scenes were worth watching - there are quite a few of them, and while a couple are somewhat gross, others add rather nicely to the film; it’s probably right that they weren’t included, but they rounded it out well after seeing the whole.
I expect we’ll watch this again in another five or six years, by which time we’ll have forgotten pretty much everything about it.
The rating is 12 which I think is about right; the intimacies are implied rather than explicit, and there’s not too much bad language. But the theme wouldn’t be of much interest to anyone below the age of about sixteen.
Recommended in a low key way if you want something light with a touch of poignancy.
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