Showing posts with label Kirsten Dunst. Show all posts
Showing posts with label Kirsten Dunst. Show all posts

27 March 2026

Little women (Winona Ryder)

Little Women 1994 film adaptation
(Amazon UK link)
We have two DVDs with films based on Louisa May Alcott’s classic novel ‘Little Women’. We watched the 2019 version - updated for a modern audience - in 2020, and I liked it much more than I had expected to. But it was over twenty years since we watched the 1994 version which is rather closer to the original. So we decided to see it again. I am very familiar with the story, my husband much less so as he has never read the books.

On the whole, this is quite true to the original, although inevitably a lot has been cut out. The four March sisters are realistically portrayed: Trini Alvarado is the responsible Meg, and Winona Ryder is the impetuous Jo, who never quite manages to look tidy, and who spends most of her time writing. I thought Beth (Claire Danes) was the least believable of the four; but a lot of her story is removed from the film. Kirsten Dunst is an excellent young Amy; she’s the only sister who has a different actress (Samantha Mathis) playing her as an adult. But then Meg and Jo were older teenagers anyway at the start of the story.

01 December 2020

Mona Lisa Smile (Julia Roberts)

Mona Lisa Smile with Julia Roberts
(Amazon UK link)
I had never heard of the film ‘Mona Lisa Smile’. But when I saw it - at 50 cents - in a church sale, I decided to buy it. Julia Roberts is usually good value and the story sounded interesting. We watched it last night, and thought it a very good film, with plenty to think about.

The film is set in the 1950s. Roberts plays the main character, a young woman called Katherine Watson. We meet her when she is about to take up a post as lecturer in History of Art at a very conservative all-girls American university. She’s a little nervous, but this has been her dream for a long time - partly because she hopes to introduce some new ideas to the students.

There are quite a number of characters, but the most important students soon emerge with their different personalities. Betty, who is soon to be married, is very condescending. Her parents are wealthy, and care for appearances above everything else. Her friend Joan would quite like to study law, but is more interested in getting married. And in those days having a career was not compatible with marriage, in most cases.

Then there’s Giselle, who is somewhat promiscuous but also very kind-hearted, and there’s Connie who’s rather insecure. These four girls are some of the first to answer questions in Katherine’s first lecture, and they share an apartment. Katherine lives in a house with the elocution and poise lecturer, Nancy, who seems to spend her spare time in front of the television.

It’s an interesting setup. Katherine is at first treated with scorn by the students, who have read all their course text books and know all the ‘answers’. It appears at first that there is nothing left to teach. So Katherine introduces some new ideas - modern art, and questions where the girls have to think for themselves, and decide what it is that makes something ‘art’.

Unfortunately, in doing this she comes up against the authorities, who want her to stick to the syllabus - after all, the girls are just biding their time until they can get married….

Julia Roberts is great as Katherine. She’s her usual self, looking very young, as this film was made in 2003. It’s never really possible to forget who she is as an actress, but it doesn’t much matter as she fits very well in this role. The younger woman who play the various students are good too, albeit rather caricatured.

It all feels very old-fashioned, which isn’t surprising as it’s set seventy years ago. Some of the customs of the university seem extremely strict and sexist; perhaps US colleges really were like that in the 1950s. I gather there were some ‘goofs’ and inconsistencies, but they don’t deter from the story,, which is, in essence about someone trying to make a difference, only to realise that perhaps not everyone wants to be changed.

Rated 12A in the UK, PG-13 in the US. There isn’t anything explicit, although there are lots of innuendoes and implications. There’s some bad language, but not an excessive amount, and no violence or gore. However I can’t imagine that this film would be of any interest to children anyway.

Review copyright 2020 Sue's DVD Reviews