Showing posts with label Dominic Cooper. Show all posts
Showing posts with label Dominic Cooper. Show all posts

14 April 2021

Mamma Mia (Amanda Seyfried)

Mamma Mia DVD
(Amazon UK link)

It’s ten years - almost to the day! - since my younger son and some of his friends introduced me to the musical film ‘Mamma Mia’. Set on a Greek island, liberally peppered with Abba songs, I liked it very much. So when I saw the DVD inexpensively at a sale, I thought it a good idea to buy a copy.  However I wasn’t sure if my husband would like it; he’s not a fan of musicals, in general.

Last night he suggested we watch it, thinking it could be light and relaxing. He does like Abba songs, so I mentioned that the story is essentially written around them, with not a huge amount of plot. Indeed, I hadn’t remembered much of the story at all, other than that it involved a wedding, and Meryl Streep.

Amanda Seyfried is the real star of this, however. She plays Sophie, a young woman of twenty who is about to get married. Her mother - Meryl Streep - runs a guesthouse in a Greek island, although it’s rather run-down. She and her staff are preparing a huge feast for the wedding, and rooms for guests, and there’s clearly a lot to be done.

Sophie tells her two closest friends (and bridesmaids) that she has invited three men to the party, one of whom must be her father. Her mother never told her his name, but Sophie has found her journal from twenty years earlier, and it’s clear that there are three possible candidates. Sophia wrote to them, and they have all said they’re coming… but her mother doesn’t know.

We then meet these three very different guys: Sam (Pierce Brosnan), Harry (Colin Firth) and Bill (Stellan Skarsgård). Bill is a laid-back kind of guy who owns a boat. Harry is quite uptight, and Sam is a wealthy businessman. There are some deleted scenes - which we saw afterwards - that introduce them properly in context; these scenes probably wouldn’t have added much to the story but were very interesting to see later.

The three end up arriving together in Bill’s boat, and being led to a very dilapidated room by Sophie… who hasn’t told any of them that they might be her father. She thought she would just know when she met them, but this isn’t the case…

So there’s quite a comedy of errors, punctuated with musical numbers (sung by the cast, although in most cases they sound very Abba-like). There are huge crowds involved, and some amazing choreography. There’s humour (Colin Firth’s comic timing is superb) and some poignancy, too.  And of course there’s Meryl Streep, looking so like her film daughter that I wondered if the actress was her real mother. Apparently Streep was 59 when she did this role, in which she dances and leaps about like someone at least twenty years younger.

Of course it’s all rather silly, in the way that musicals are, where everyone dances and sings while the rest of the action stops. But it looked as if everyone was thoroughly enjoying themselves, and it’s so well done that I was quite caught up in the story (such as it was). My husband had spotted that some of the scenery was set in a studio, but I hadn’t noticed; it was explained in the ‘making of’ extra which we saw later.

The one person we felt didn’t quite fit the role (and really didn’t sound at all Abba-like when singing) was Pierce Brosnan as Sam. We couldn’t quite believe in him as Sam, and would have preferred him to have rather fewer solo roles. All of the actors apparently did their own singing (in a studio) and in most cases it was excellent.

Although the UK rating is PG, and there’s nothing explicit, nor any violence, there are a lot of innuendoes. There's also quite a seductive scene part-way through, although nothing comes of it. And of course the entire storyline revolves around three different people having slept with Sophie’s mother twenty years earlier. So I wouldn't recommended it for children or any younger teens who might find this shocking or embarrassing.

But with that proviso, I would definitely recommend this for a light evening’s viewing even if you don’t like musicals in general (unless you also don’t like Abba songs - there are a lot of them!).

Review copyright 2020 Sue's DVD Reviews

17 July 2015

Summer in February (Dominic Cooper, Emily Browning)

Summer in February with Dominic Cooper and Emily Browning
(Amazon UK link)
We came across this film when in the UK; it was on the special offers shelves at a local supermarket. Described as a powerful love story set in Cornwall, we thought it would make a good addition to our collection, although we had not heard of it before, nor of any of the actors.

We watched it last night with our twenty-something son.

‘Summer in February’, as we discovered after watching it, is a true story set in the early part of the 20th century. It features a group of artists who live, work and socialise in Cornwall. Early scenes set in a pub are probably realistic, but very confusing. Even as Brits we had a hard time understanding some of the accents. I should think they would be impossible for anyone from outside the UK.

Moreover, there are so many people in the pub scenes that it was difficult to work out who were the main characters. I nearly gave up watching after fifteen minutes. Perhaps I should have done so, as it turned out to be a very depressing film.

The love story angle isn’t, in my view, particularly well played. AJ, the main protagonist (Dominic Cooper), comes across as both cruel and shallow, while Florence, a hopeful young artist (Emily Browning), is naive and selfish. There isn’t much chemistry between them at all. Gilbert (Dan Stevens) is the only reasonable character in the film, and he gets a pretty bad deal.

Apparently the real AJ - also known as Alfred - Cummings was a talented painter of horses. This comes across in the film, but if his private life was half as unpleasant as portrayed, I wouldn’t want one of his paintings, no matter how good it was. I hadn’t previously heard of him or any of the artists shown.

Other characters - Florence’s brother, and another couple - seem almost irrelevant to the story. Presumably they were in the film because they were part of her life, but the plot seems disjointed, and nothing much gets resolved. Perhaps it’s meant to reflect reality too closely.

Still, the scenery is stunning, the settings believable, and I had a good feel for the place and the colony of artists who (apparently) existed there, giving Cornwall its name, later in the century, as a haven for art.

The UK rating is 15, which is appropriate given the subject matter. For some reason there's no US rating. Bad language is not too much of a problem; there are some uses of ‘strong’ words but in the context they were not too disturbing.

The violence is minimal, the intimate love scenes not shown directly. There is, however, some gratuitous nudity which doesn’t do anything for the film, and made us even less inclined to like it.

As is probably clear, we didn’t enjoy ‘Summer in February’ and I wouldn’t recommend it. But someone who likes true-story films with gorgeous scenery, and who doesn’t mind a tragic and depressing ending might like this better than we did. It's evidently very popular with a lot of viewers.


Review copyright 2015 Sue's DVD Reviews