Becoming Jane (Anne Hathaway)

From time to time I check my recommendations on Amazon UK, and read reviews of the ones that look interesting. ‘Becoming Jane’ was one of these recommendations, probably based on the fact that I have enjoyed several of the Jane Austen film adaptations. Or possibly because I have liked other films featuring Anne Hathaway.

So, as the reviews were mostly positive, I added the film to my wish list and was given it for my birthday last year. We finally decided to watch it last night, aware that it was a fictionalised story of part of Jane Austen’s life. I knew very little about her life, other than that her father was a minister, and that she didn’t marry. So I didn’t have any preconceived ideas about the film.

The opening sequence was very well done, I thought; Jane is played by Anne Hathaway, with such a flawless British accent that I entirely forgot she was American until we watched one of the extras afterwards. We see her writing - with a quill pen, ideas flowing - and then she decides to play the piano. It’s early in the morning and not only wakes the household but startles one of the household staff significantly.

Jane’s sister Cassandra (Anna Maxwell Martin) is engaged, to a young man who is about to go off to sea. Jane’s mother (Julie Walters) really wants Jane to find someone suitable. Jane has two admirers: one who is well off, respectable and well-connected, but she does not care for him. The other is dependent on his uncle, and rather wild; their first meetings are full of conflict, but they quickly fall in love.

I thought the film was very well done, although at first I had a hard time remembering who was whom. Anne Hathaway makes a very believable young Jane - aged about twenty - with a great imagination and far more independence and spirit than was normal for girls of her era. James McAvoy is excellent, too, as the young - but not very responsible - lawyer Tom Lefroy, and the chemistry between the two is excellent.

Maggie Smith has a small role as Lady Gresham, aunt to the other young man who aspires to Jane’s hand. And, as we have come to expect with Maggie Smith, she has some wonderful lines; her timing is impeccable.

Indeed, all the characters are believable and mostly distinct in character, and we were quickly drawn into the story. While it’s only loosely based on what’s known about Jane Austen’s life, it feels authentic, and entirely possible. It becomes clear that Jane has already written the book that would eventually be published as ‘Sense and Sensibility’, basing her two main characters on herself and her sister Cassandra. During the course of the film, she starts to write some of the material for what will become Pride and Prejudice; based partly on her experiences and the people she interacts with.

The only parts of the film I disliked are a few scenes at boxing matches; they weren’t too gory, but anything of that nature makes me close my eyes and hope it passes quickly. I was a little surprised to find that the rating of the film is only PG; while there’s no bad language other than one or two mild words, and the only nudity is a few seconds of rear views of young men about to swim, the violent scenes are quite intense, and there is more than one overt hint of marital intimacies.

However, overall we thought it an extremely well-made film.

There are some extras which we watched afterwards related to the making of the film. Although they added a bit of background, and I always find this kind of thing interesting, they weren’t anything special.


Review copyright 2019 Sue's DVD Reviews