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Hugh Grant - rather a young looking Hugh Grant, as this was made in 1999, when he was under 40 - plays William Thacker, a bookshop owner in London. It’s a perfect role for him. William is quiet, likeable, and far too honest to make a good salesman. Indeed, his bookshop (which only sells travel books) is gradually going more and more into debt.
Into William’s shop one day walks the American film star Anna Scott (Julia Roberts). They converse briefly and she buys a book. He does not expect to see her again, but then manages to bump into her on his way back from collecting some drinks from a coffee shop. This sparks a tentative kind of friendship, with William becoming more and more incoherent and Anna intrigued, despite herself.
It’s a character-based film, a couple of hours long but well-paced and enjoyable throughout. William has a mixed bunch of friends, and a quirky young sister called Honey (Emma Chambers - basically playing the same kind of character as her Alice in ‘Vicar of Dibley’). His flat-mate is a rather coarse Welshman called Spike (Rhys Ifans) who provides an amusing contrast to William’s somewhat caricatured self-deprecating Englishman.
The film is a good study in culture clash, and characterisation in general. When William and his friends go around the table talking about who is the saddest, Anna - despite her fame and wealth - is able to point out that her life is no happier than theirs. There are different attitudes to publicity too, which come to a head in one scene which I did remember when it happened, as journalists and photographers converge to try to capture a new story.
There’s a nice blend of humour and poignancy in this film, and an ongoing tension as we wonder whether or not the two main character will get together. I honestly didn’t remember the outcome, but thought it extremely well done. Some of the characters are stereotyped, but others are entirely believable. I particularly liked William’s best friend Max (Tim McInnerny) and his disabled wife (Gina McKee).
The UK rating for ‘Notting Hill’ is 15, which seems a tad on the high side; the US, usually stricter, rates this as PG-13, which feels more appropriate to me. There is an inevitable bedroom scene but it’s tastefully done, with all the action offstage, and plenty of bed coverings afterwards. There are discussions of intimacies in varying forms, and one or two obscenities, but nothing that the average ten-year-old would not have heard already.
However, I can’t imagine it being of the slightest interest to anyone under the age of about fifteen anyway, so perhaps it’s immaterial. To see details, check the parents’ guide link in the imDb ‘Notting Hill’ guide.
Overall, I thought it a wonderful film. I felt uplifted and relaxed at the end. Definitely in the ‘feel-good’ category, and I hope not to leave it so long before watching it again.
Review copyright 2019 Sue's DVD Reviews
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